#he can be joking or not depending on context

[literaryvein-reblogs]

How do I write mean insults that's in character for a character to say? I'm personally poor at coming up with insults that don't sound generic or would actually cut deep, being mean in general. I want to write a snarky character with a dry sense of humour when it calls for it but don't know how to go about it.

He's also recovering from a superiority and inferiority complex.

As the writer, you know your character best, and what insults would make sense for them to say (also considering the bigger context of the scene). So, I'll just provide you with a compilation of prompts and notes from different sources, and you can choose which ones are most appropriate to incorporate in your story.

Writing Notes: Insults & Dry Humor

A List of "Sophisticated" Insults

Craven - having or showing a complete lack of courage; very cowardly

Fatuous - silly or stupid; complacently or inanely foolish. From Latin infatuate, which once meant "to make foolish," but which now usually means "to inspire with foolish love or admiration."

Insipid - not interesting or exciting; dull or boring

Obstreperous - difficult to control and often noisy

Obtuse - stupid or unintelligent; not able to think clearly or to understand what is obvious or simple

Pusillanimous - weak and afraid of danger. It's been used by such notables as Ralph Waldo Emerson ("It is a pusillanimous desertion of our work to gaze after our neighbours"), and the disgraced Vice-President Spiro Agnew, who called journalists "pusillanimous pussyfooters."

Sanctimonious - pretending to be morally better than other people. It once meant "possessing sanctity; holy, sacred." The genuinely holy aspect faded, and William Shakespeare is credited with first using sanctimonious to mean "hypocritically pious or devout."

Twee - sweet or cute in a way that is silly or sentimental. Just as buddy is believed to be a baby talk alteration of "brother", twee is a baby talk alteration of "sweet". Although twee is still considered a chiefly British term, it's increasingly popular in American English.

Unctuous - revealing or marked by a smug, ingratiating, and false earnestness or spirituality. Unction can mean "anointment" or it can name something used to anoint, such as a soothing or lubricating oil. That idea of oiliness led to unctuous, which can describe the slickness of false sincerity.

Vacuous - having or showing a lack of intelligence or serious thought; lacking meaning, importance, or substance

The insult would also depend on which other character it is directed at. Here is a list of "funny" insults for adults from Reader's Digest:

My days of not taking you seriously have come to a middle.

You are the human equivalent of a participation trophy.

If you were a spice, you’d be flour.

You may have a sparsely attended funeral.

I smell something burning. Are you trying to think again?

You’re like a lighthouse in a desert: bright but not very useful.

Don’t worry—the first 30 years of childhood are always the hardest.

May your life be as pleasant as you are.

You’re as useless as the “ueue” in “queue.”

Your face is just fine. It’s your personality that’s the issue.

...and for your character's significant other:

I like you. People say I have no taste, but I like you.

You continue to meet my expectations.

I’ll never forget the first time we met. But I’ll keep trying.

If genius skips a generation, our kids will be brilliant.

We were happily married for a month. Too bad it’s our 10-year anniversary.

I admire the way you try so hard.

You’re entitled to your incorrect opinion.

Have you tried doing it the way I told you to the first time?

The best part of watching a show with you is when you fall asleep because then I can watch my show.

Don’t call me crazy—you’re the one who married me!

You can always alter these to better suit your character. You can read the full list here, which also includes some insults for kids, best friends, and family.

Tips for Better Humor Writing

Humor writing isn’t all about landing a good joke (except for when it is). In creative writing, the effect is usually a bit more nuanced. Here’s a few writing techniques to get you started:

Subvert expectations. Try to undermine the audience’s expectations or reform them with structural elements.

Save the best for last. Humor is often a release of tension, so the sentence builds that tension, and the pay-off—the punchline—happens most naturally at the end. This is also sometimes referred to as the “rule of three,” where two thoughts act as a build-up to the final humorous closer.

Use contrast. Are your characters in a terrifying situation? Add something light, like a man obsessing about his briefcase instead of the T-Rex looming behind him.

Use good wordplay. Sometimes words themselves are funny, and just as often, their placement in a sentence can make a difference. Some words are just funnier than others, so make a list of those that amuse you the most.

Take advantage of cliché. While clichés are something most writers try to avoid, it’s important to recognize them,so you can use them to your advantage. Humor relies in part on twisting a cliché—transforming or undermining it. You do this by setting up an expectation based on the cliché and then providing a surprise outcome. In humor writing, this process is called reforming.

Use humor as a counterbalance. If you just pile on one terrible thing after another, it starts to become ridiculous, and people won’t buy it. Using humor is a great way to achieve the proper balance between fantasy and real life. Remember, if a roller coaster only did twists and turns the whole time, it wouldn’t be as fun to ride.

Level of Intensity

There are people who shrug off an insult (“That’s just the way she is”) and people who commit murder over an insult (“I’m avenging my honor!”). Plus, of course, everything in between. Which is your character?

To be believable, consider the following:

Personality. How hard does your character take events in general? Does s/he get really excited over good fortune and really depressed over setbacks? Then we’ll find it believable that s/he gets really angry and reacts accordingly.

The second cause of an intense reaction is the nature of the specific fight that you’re creating on the page. Lily Owens lets most of her father’s insults go by (“the art of survival”). But when he starts in about her mother, the topic is too important to Lily to gloss over. Lily’s reaction is intense. She runs away. Another type of character might merely have seethed silently. Still another might have fought T. Ray more intensively, setting fire to the house with him inside.

Finally, the strength of fights is culturally determined. Where public or even private scenes are disapproved of (upper-class London, old-money Boston, “well-behaved” families), arguments may be muted, even when the subject matters a great deal. In other cultures, volatility is not frowned on, and people may feel free to scream at each other in public. In extreme cases, murder may even be considered a duty, as in avenging a sister’s sexual assault.

Where is your story taking place? Are your arguers in tune with local or family culture? Maybe not. You can create interesting effects by portraying the rebels against the local mores: the meek child born into a battling family, the furious feminist in polite 19th-century English society.

On Dry Humor

Dry humor - is all about the subtle irony of the facts being stated plainly; it is the contrast between sentiment and reality that makes the situation funny.

The technique is known for its simple, often matter-of-fact declarations that will make the audience laugh or be perplexed (humor is subjective, after all).

With dry humor, delivery and intention create a sort of comedic cognitive dissonance or contrast. Sometimes it is as simple as using a bit of sarcasm, but it can also be more than that.

Dry humor lives and dies on the back of doing less.

Less facial expressions, less props, less setup—less is often more when it comes to landing the joke. You aren’t using a big, dramatic setup or a grandiose vocabulary to make your point.

Essentially, these jokes are derived from saying the opposite of what is meant or delivering them in a way that purposefully counteracts the supposed meaning of what is being said.

Dry Humor in Writing

The function of dry humor has often been to highlight the absurd.

It is effectively executed in moments where satirization of the circumstances at play require little more than noting the facts aloud.

When writing this sort of humor, quick, cutting accuracy is key to making the jokes land.

Simplicity is king, and an honest statement of the facts will always lead the way to finding the funny.

Sources: 1 2 3 4 5 ⚜ More: References ⚜ Humour ⚜ Laughter & Humour

Hope this helps with your writing!

[whomuses]

open rp; Ted Lesso (test muse) "Well, hey, fancy seein' you here!" the American drawl sounds very jarring in a London pub, but Ted has settled into this place pretty well now. The be-moustached man raised his pint just slightly, pulling to his feet, "Can I order you a drink..?"

[losinmortalesperdidos]

"Hey, Wilhelm Tell!" Nathan stepped from behind the corner showing that he too knew how to appear absolutely unnoticed, "You know what's the problem with your lot? People try to work by the rules, hell, maybe even inside the law, and then you come and turn everything into a fucking Italian circus!"

@trinketsfcrged || Clint

[poisondionaea-art]

For anyone who wants to write fanfics or comics, ect about characters from Louisiana (Gambit, alastor, ect.) with accuracy to Louisiana and any French we speak here.

⚜️There's a lot of information after the phrases just an FYI ⚜️ I add a few things that I forgot about.

Common phrases used in Louisiana are:

Sha

(pronounced like it's spelled) this is a gender neutral term used for all ages, it's a friendly term used to address someone, most people use it for everyone. Inflections and sentences can change it to be more familial or romantic but it's often just used when addressing someone else. A lot of people use this term and say it for everyone they meet. This is used to replace cher and cheri, no one uses cher and cheri ever, have never heard a single person in Louisiana use those terms in my entire life.)(commonly said at the beginning or end of a sentence when addressing someone also typically accompanied my 'oh' or 'mais/man'

Examples :"oh sha, can you grab me that bottle right there." " How you been sha" "man sha, you seen what that man did over there" "oh mais sha, eat, you must be starving"

beaucoup

(boo•coo) very much, plenty/ plentiful, very, much, an exuberant/ large amount of something. Each of these can be used it just depends on the context, it is often used in 'thank you' or in jest or exasperation to emphasize that someone has a large amount of something. Sometimes people also use it in a jesting manner to make fun of how little someone has when they are trying to pretend like it's a lot. Extremely common to hear in New Orleans slightly less use in the rest of the state but is still used often. Commonly said as "beaucoup much" (younger generation born late 90s to present mainly use this one) or by itself

Examples: "did you see the amount of bread loafs that guy had in his buggie, he had beaucoup things of bread"

Merci also "merci beaucoup" or "beaucoup merci"

(mer•see) thank you, thank you very much, plenty thanks, very thanks. Still widely used across Louisiana rather commonly. Not everyone says it but it's just a personal preference, the people that do use it often still say thank you in English from time to time, they just also like using these terms as well. These phrases are also used for everyone it doesn't need to be reserved for special times/ people.

Example: " merci, have a nice day" kinda self explanatory

Adieu

(a•doo) kinda like goodbye I think I've heard a some people say it but it's definitely not the most common. They said it in place of good bye so I've just always assumed that's what it meant.

Petite

(pa•teet) small, little, tiny. This is already used in the English language show I don't really have to explain it much but it is commonly used among Cajuns and other Louisianaians to address a person affectionately especially when you add another word behind it. Sometimes people will say "mon petite ___" or "petite ____" sometimes shortcutted to "te" sometimes just say patite if it's an nickname the additional thing will most likely be in French and be something that the person likes or enjoys. I've rarely heard it used otherwise unless talking about clothing.

Examples: my grandmothers used to call me "Mon petite papillon" (my tiny butterfly) and "petite minou" (small kitty) because one grandmother's favorite animal was a butterfly and the other's is a cat.

Nanny and parrin

(nan•ee) (pah•ra) god mother and god father, most people call them by these terms so if you here someone from Louisiana talk about their nanny they don't mean someone their parents hired to look after them they mean their god mother.

Couyon

(coo•yaw) fool or idiot. Typically used in rather jest or scolding but typically when joking around. More common in Cajun areas than New Orleans. Sometimes if someone does something foolish especially after being told not to or is just being really clumsy or acting stupid/ rude then people will just call them couyon and walk away or laugh at them.

Example: " will you stop acting like a couyon? We need to get a move on."

Mais

(mah) but . See Sha for example of use mainly used with Sha .

Allons also "allons dan ser"

(ah•law) (ah•law don say) let's go and the phrase commonly used with it is "let's go dancing" more Cajun area use then New Orleans.

Beb also bébé

(pronounced like it's spelled) babe or baby also typically used in a neutral manner when talking to people, can be used for anyone but is most commonly used among family or close friends especially for people younger than you. Can also be used in a romantic connotation like babe or baby usually it is generally affectionate no matter how it's used. Can be used for strangers typically said by women but men do say it.

Example: "bébé can you go to the kitchen and get me a soda"

Just please please don't use cher or cheri no one says that around here it's almost always specific nicknames rather of things the person talking likes or the person listening likes. Please see petite for example.

Gambit is likely to say card related nicknames since he likes gambling, I know a few people who like playing cards who call people things like king and queen quite often as well as like 'my heart', 'little diamond'

In French those would be "reine" (Queen) or "dame" (lady/ queen) , "roi" (king) , "Mon cœur" (my heart/my core), " petite diamant" (little diamond)

For Alastor I'm not sure that there's anything radio related that people would use, my family has been in the radio business for a while and I've never heard any from any of my family members or my parents. He is likely to use deer related ones especially if they are puns.

Examples: " Mon biche" (feminine) or "Mon cerf" (masculine) (both mean my deer) , and "petite biche" (fem) or "petit cerf" (masc) (both mean little deer). He also likes music and that would be more like "Mon musique" (my music).

Any of these can just be said in English not every nick name or pet name is said in French.

Everyone is different so some people throw in more French some people less, nowadays people don't really speak fluent French unless they're old or rich.

Gambit was raised in a cult basically so he does get somewhat of a pass to speak more French if you want him to but it's not super common in New Orleans.

Alastor would have spoken French being from 1920s but being a radio host he probably would have also learned English and went through vocal training to get rid of his accent. ( My family has been in the Louisiana radio business for decades and they all had to train to get rid of their Cajun accents when they started working for the radio stations) Also Alastor is creole not Cajun I will explain the difference more towards the end.

If you want to add the characters speaking French you can just use Parisian French (French spoken in France) no one is gonna be upset if you do there are also no translators on the internet that I know of that have Cajun or Creole (Canadian is also acceptable if your Canadian or know Canadian)

There are a lot of different accents in Louisiana not just Cajun (called flat talk by locals most of the time) .

Some people speak with southern accents, some have Cajun but most talk like stereotypical Americans or have an accent that comes along with speaking AAVE.

Creole accents are like French and Jamaican accents combined it's pretty rare for people to have the accent nowadays though and for some people it can be slightly different

You don't have to write out accents if you don't want to.

Which leads to my next point most people in Louisiana speak in AAVE (African-American Vernacular English) especially closer to and in New Orleans.

The farther away from the 1930s-1940s the character(s) are the less French they will naturally speak and put into everyday encounters. Most people in present day Louisiana especially in areas like New Orleans don't speak French and only add in what few words they do know or are still within common use in day to day conversations.

After this point it is random facts about Louisiana ⬇️

Why did people stop speaking French in Louisiana after this specific period of time?

Great question, the answer is that there had been a law put in place at the time, that declared that everyone had to learn English as it was assigned as the official language of the United States. From what I've been told by my grandparents the law makers cited that they wanted Louisiana to be more welcoming to tourists and the large incoming crowd of refugees and migrants as the reason for the law being inacted.

My grandparents stated that it was probably so that the refugee and migrant crowds wouldn't isolate themselves to only people who spoke their languages. In order to keep unsavory groups from forming (if there were any n@zis among the German crowd, other axis power supporters among the Italians or Japan's crowds as well) they forced everyone to learn English.

I don't actually know what this law was but my grandparents have talked about it since I was little. They were forced to learn English when they hit elementary school and my great grandparents were forced to learn English or possibly lose their jobs, in some cases they were threatened with arrest or their children getting taken away.

This created fear that caused parents to decide to stop teaching their kids French. When my parents were born my grandparents barely taught them any French and mainly taught them English. Rarely anyone in my parents generation could speak or understand full French.

Some parents didn't want to teach their children French only for them to never be able to speak it outside the house.

I also have a feeling that this law was also partially put in place because of Quebec, Canada as they fought for their right to keep speaking French and threatened to become their own country if forced to conform to English like the rest of Canada. So the U.S. was probably trying to stop that from happening with Louisiana.

Also New Orleans has been regularly speaking English since before the rest of Louisiana was mandated to, because it is a port and always has been. It's also been a high tourism area for quite a while as well.

What is the difference between Cajun and Creole ?

Creole means French or Spanish settlers that came directly from the "motherland" (France or Spain) originally this term was more or less used to establish elite status as most of these people were from rich families and paid a lot of money to secure their position in the new colonies belonging to France the term was extended to the Spanish when they had control over Louisiana.

This term eventually came to blanket over slaves and their descendents as well that were under the control of these people, the current Creole culture was mainly shaped by these families as well as the families of Haitian slaves and their descendents that were also brought into Louisiana to serve the Creole people.

This is where voodoo and hoodoo become a part of creole culture because the enslaved persons brought their culture and religion with them from Africa to Haiti and then to Louisiana when they were forced to change location again.

Creole people lived mainly in New Orleans and the surrounding area, most of them owned farmland slightly farther out from the city but lived in the city center while things were tended to by enslaved persons and a person or persons designated to watch over their daily activities

Creoles didn't just enslave Africans they also enslaved impoverished European using manipulation tactics, most of these Europeans became freed people before African Americans and at some point we're given their own slaves which kept them from revolting surprisingly but in surprisingly. Creoles enslaved Cajuns when they first got to Louisiana by order of the king and then freed them when they realized they knew how to farm but gave them their own enslaved persons.

Most Creoles now are African Americans and lead an intricate culture different from Cajun culture that is mainly a mix of French and various African cultures with a little bit of Spanish culture as well.

Creole food and Cajun food aren't too different but some Cajun food has okra bases as to where creole dishes have a tomato base for most dishes as it was an over abundant resource of the New Orleans area.

Cajun people are from a French group of settlers that were originally supposed to create their own nation in Nova Scotia, Canada. They were a bunch of farmers sent there for the purpose of creating an agricultural specific nation using Canadian soil and plants.

Their county was called Acadia and they were called the Acadian people, they technically were not ruled by the king of France and were their own nation, this in fact caused problems especially because they were a young nation and were composed of farmers with no military or combat training and little to no weapons.

With no support from the king or way to form their own military, England forced them to pledge allegiance to rather the king of England or the king of France so they knew where Acadia stood, Acadia asked for help from France, France refused because they were their own nation and they didn't want to pledge allegiance to the king of England

So in true English fashion they burned the nation of Acadia to the ground and forced the Acadian people to leave, the Acadians went to Louisiana in hopes that they would help, the Creoles enslaved them and stuck them where they believed the land was uninhabitable and they would perish because of the order of the king of France

The Acadians being farmers were able to pick up on how to properly farm the land after being shown by natives (my tribe yay) and when the Creoles checked on them and found them alive the king of France made them free people's and gave them land from Acadiana, their new area of living in Louisiana to the what is now the lafourche parish area.

They were given enslaved persons and were put in charge of helping make Louisiana's exports a larger market. Cajun culture and dishes come from a mixture of Acadian, native American and African culture put together with the resources of the area, these dishes spread to the Creoles and were changed to match the resources of the New Orleans area and imported goods.

Cajuns are called Cajuns because the English misheard the name Acadian and so everyone started calling them Cajuns.

Cajun and Creole today doesn't nearly have as many connotations as the past, it mainly just means your family is from this Acadiana area or from New Orleans and you're a descendent of one of these groups

Do Cajuns and Creoles have beef with each other?

Nope, any beefing is mainly joking, and is specifically about the differences in the same dishes between the two cultures.

Does it matter if someone is Cajun or Creole?

Once again nope, Louisiana is a big mixing pot of cultures so no one really cares, everyone loves celebrating the different cultures in Louisiana especially of the newer groups that have joined over the decades through immigration.

I only specified with Alastor because I've seen people call him Cajun when vivzy has stated multiple times that he's Creole.

Enough about Cajuns here's some info on Mardi Gras:

Mardi Gras is one day at the end of the carnival season.

It's on a different day each year because it is a Catholic holiday and goes by the Catholic calendar which changes every year.

Mardi Gras means "fat Tuesday" which is the Catholic holiday the day before ash Wednesday which is a day of fasting and sobriety.

You don't have to be Catholic to celebrate.

Even though it's a Catholic holiday all of the parades are based on Greek and Egyptian mythology

The carnival season is different every year and lasts between 1-2 months before Mardi Gras day, Brazil has a similar celebration at the same time called carnival as well for the same reason.

The carnival season is typically in January- February or March.

All bars close at midnight on Mardi Gras day once it hits ash Wednesday and very few of them are open on ash Wednesday later in the day.

There are family friendly Mardi Gras parades which are most of them and specific parades for adults, typically at night, please don't flash your boobs that's illegal and makes people uncomfortable, the adult parades mean that they might give out alcohol and beads or other float throws that will contain adult symbols like marijuana or nudity. Some of these they throw things like purses and shoes and that's why it's classified as adult.

Anyone can join the parade even people not from New Orleans you just have to pay a fee for whichever parade you want to be in to secure a spot on a float and buy the beads and stuff that you throw, some parade you have to have a specific amount of items, to be allowed on the float

Some people go to other parades to get beads and other stuff for them to throw at their own parades (my family does this with the radio station vans lol)

People on floats throw beads, plushies, party favors, hand clappers, cups, dablooms , recorders and other plastic instruments, bouncy balls, other types of balls, inflatables, candy, chips , ramen, hair clips, plastic swords and plastic tomahawks

Most of the balls for specific parades are closed events for people on the committee but there are masquerade and non masquerade balls and parties held across the city throughout the carnival season, there is even one specifically for Neuro divergent people.

There is a kink parade, that is called "southern decadence" it is a gay pride parade that focuses on sex, kinks, drag burlesque and finding people to hook up with this happens typically around august. If you tell people your going to a gay pride parade they will side eye you because they assume it's this one and not the family friendly ones that happen in June.

The only other parades outside of carnival season and pride are a Christmas parade (krampus), a Halloween parade and st Patrick's Day parade (Irish and Italian American heritage parade)

A king cake is basically a cinnamon roll log that doesn't get cut into individual cinnamon rolls and gets formed into a ring and baked then has vanilla icing with colored sugar on top. There is a baby inside but if you pre order it you can ask for the baby to be put on the side or not included at all. The baby means you buy the next king cake and you will have luck.

It's encouraged to wear costumes to parades but you don't have to, it does get you more beads.

Have a bag or something to put your beads in if you wear them throughout the parade it will be painful and it will get you less stuff thrown at you.

Other random things about Louisiana I think are important:

It's warm throughout the year because this is a sub tropical area, in the summer it is constantly between 89°-115° please don't put characters in long sleeves or tons of layers in the summer.

It rains a lot like 50% of the year it rains

Not every part of Louisiana is swamp

There is no deep woods of massive swamps in the middle of the city of New Orleans, there are a few in the surrounding area but those are an hour -hour and a half out of your way by car at minimum

Hoodoo is magic , voodoo is a religion they are connected but not the same thing not everyone that practices voodoo practices hoodoo and vice versa. PLEASE DON'T MESS WITH THESE RELIGIOUS OR MAGICAL ARTIFACTS WITHOUT SOME WORKING KNOWLEDGE OF IT OR CONSENT/ PERMISSIONS, PLEASE FOLLOW THE RULES IN THE SHOPS.

There are also many practicing pagans and wiccans in New Orleans same rules apply.

Yes there are second lines (marching bands for parties) constantly going through the city but most of them are for funerals don't join them unless you're told you can.

Most people from Louisiana have pretty bad seasonal allergies

There is way more to the city of New Orleans then the French quarter, the French quarter is only like 10 streets

We have a ferry that goes from Algiers (west bank New Orleans) to New Orleans proper (east bank, actually main part to the city) it lets out at the aquarium. There is another one that goes from Algiers to Chalmette (part of the greater New Orleans area)

The greater New Orleans area is the area around New Orleans where most of the people that work and hangout in New Orleans actually live, this includes Jefferson parish and st. Bernard parish. There is still a high population of people who live in the city itself.

Baton Rouge is the capital of Louisiana it is about an hour and a half west of New Orleans by car

People go to Grand Isle, Louisiana or to Biloxi, Mississippi to go to the beach

There is a water park outside of Baton Rouge called blue bayou that's really popular the other water park in the area is Jellystone but most people call it yogi bear because it's a yogi bear theme park

Fairs happen in Louisiana between May - June and then again in September - October

Around Christmas most parks have Christmas lights displays that you can drive or walk through or Christmas villages

People actually play jazz music on street corners in New Orleans, it's not every street corner and most of them are concentrated to being closer to the French quarter

Most bars have a mixture of live music and a dj more upscale places with stick to jazz but most other places have rock, hip hop, r&b, rap and bounce, closer to Lafayette they play zydeco more often then jazz

Louisiana is the state with the second highest gambling rate behind Nevada, there are multiple casinos in Louisiana and even private gambling clubs that you have to know someone to get into

Street cars are like busses on set rails, basically an above ground subway system. You have to pay a fee to ride and can find out the various paths that these take through the RTA (New Orleans public transportation) system or station

You can get electrocuted if you stand on the street car rails if the street car is close by and not stopped, if you see one coming towards you get off of the rails so you don't get hit it takes a little while to stop the car.

Hurricane season begins in May and ends at the beginning of November

People in New Orleans keep pet chickens and some of them just let them roam the neighborhood. So it's not uncommon to see a chicken walking around in a residential neighborhood

Some people in Louisiana have houses raised on stilts because of flooding, their are stairs to get to the house (I've had tourists ask me about this before that's why I'm mentioning it)

Yes we can tell when you're a tourist it's pretty obvious (typically it's because they try to hard to fit in or they wear beads outside of Mardi Gras and get drunk at 12 pm)

New Orleans is the largest city in Louisiana

You will find many different cultures in Louisiana not just Cajuns and Creoles because of immigration, these cultures are all very much celebrated in Louisiana

The most common non English languages spoken in New Orleans are Spanish, Vietnamese and Arabic as currently.

Here's some food from Louisiana:

A quarter of New Orleans (not the French quarter) smells like coffee because of the community coffee plant and during certain times of the year with strong winds the whole city smells like coffee

We eat red beans and rice on Monday's to honor deceased enslaved persons as they would typically eat red beans and rice once a week because they were only allowed to eat protein once a week. Not everyone knows that, I learned about this from Whitney plantation they might have information about it on their website. Not everyone eats red beans and rice every Monday or only on Monday's that's just tradition.

For creole version remember to add tomatoes

Seasoning blend is onions, red bell pepper, celery, parsley, and garlic

Jambalaya:

A dish where you cook down meat and seasoning blend and seasonings, typically the meat is chicken and sausage together then add rice and water into the pot and cook until rice is soft.

Sometimes people add cubed pork or beef, peeled shrimp, peeled crawfish, or other left over meats they have on hand.

Gumbo

A thinned brown stew with seasoning blend, at least chicken and sausage and seasonings, served over rice with fíle (a ground sassafras seasoning)

Other meats included peeled shrimp, peeled crawfish , deshelled or soft shell crab, and oysters

Cajuns sometimes add smothered okra Creoles typically add stewed / smothered tomatoes, I've seen some people add both it's up to preferences and family recipes.

Often served with potato salad

Étouffée

Peeled shrimp or peeled crawfish, seasoning and seasoning blend served in a cream shellfish flavored gravy served over rice

Sauce Piquante

Chicken, shrimp or catfish stewed in a mixture of seasoning blend, seasoning, Rotel , crushed tomatoes, diced tomatoes and tomato sauce, served over rice

One of few dishes that have no changes between Cajun and Creole recipes

Boudin

Rice dressing in a sausage casing, typically steamed or smoked

Cracklins

Extra crispy fried pork skins with some meat still attached covered in spices

Po-boy

Warm deli meats or fried seafood, sometimes in gravy on French bread (not baguettes) with mayo, lettuce and tomatoes

Sometimes has cheese, pickles or mustard typically left to customer preference on this one

Beignet

Square fried donuts covered in powdered sugar

Typically eaten with coffee, tea, hot chocolate or chocolate milk

King cakes

Cinnamon roll log made into a ring formation with vanilla icing and colored sugar on top, has a baby inside that means you buy the next king cake if you get it and good luck

Can have different fillings

Seasonal to January through March

Natchitoches meat pie

Pie dough filled with ground beef or crawfish baked into a hand held pie.

Sorry that this is so much information I hope this is helpful for people who want to write about characters from Louisiana.

Hope this helps @lifes-line sorry it's so long.

[prismuffin]

The MW2 boys reaction to you calling them pretty boy

w/ Price, Gaz, Ghost, Soap, Alejandro, Rudy

warnings?: swearing, mentions of drinking

*gn reader ( can be read as any gender ! )

!-!more under the cut!-!

John Price:

—You calling him pretty boy would definitely catch him off guard.

—Honestly he thinks it's a dare

—Depending on how well he knows you he might let it slide, unless you're in public or around other members of 141, then he'll reprimand you for it.

—Secretly enjoys it but tries not to show any reaction

"Drinking all by yourself pretty boy?"

John's head snapped in your direction, seeing you leaning against the counter. He was currently at the bar having a drink though your presence completely caught him off guard. He eyed you up and down before taking another sip of his drink, already sensing the headache inducing conversation ahead. "Pretty boy?" He questioned, his body jolting in a silent laugh, though it was more out of disbelief than anything. "Never call me that again Sergeant." "Yes sir."

Kyle "Gaz" Garrick:

—Did he hear you right?

—Is honestly super flustered but is very happy with the new nickname, he's still very confused at the suddenness of it though.

—He's super smiley all day afterwards like it's all he can think about. Price had to ask him what was had happened to make him so happy.

Gaz was going through a routine pre-workout stretch in the training room. He had more of a lean build compared to some of his mates and though that doesn't make him any less capable it still made him feel as though he has to keep up sometimes. "Nice arms you got there pretty boy!" He turned his head in your direction, his eyebrows raised as he watched you wink at him before disappearing into the hallway. He beamed, feeling a bit more energized than before. He completed his workout with a confidence boost, nobody could tear Gaz down that day. He knew he was getting questioning looks from Price about his smiley attitude but he didn't care.

Simon "Ghost" Riley:

—He's so confused? Like did you really just say that to him of all people?? The guy wearing the mask all the time???

—Like Price, he thinks it's a dare or a joke you got forced into by Soap or something

—Doesn't know how to take random genuine compliments that have no context so please bare with him

—Might just fully ignore you honestly, especially if its early mornings

Ghost sighed as he walked into the common room. Soap and Gaz were talking about something in the corner of the room while Price seemed to be sat reviewing some files, you standing over his shoulder. You noticed him first, your eyes catching his as he stood in the doorway. You nodded your head at him, "Morning pretty boy." He blinked at you, seeing if you were serious. It wasn't something he had expected to leave your mouth and he didn't know how to react, he was thankful for his mask at times like these. Noticing your greeting, Price had turned and nodded to him as well before the both of you went back to looking at the files. He mumbled a "Fuckin' 'ell" as he walked deeper into the room. He just hoped that nickname wouldn't stick.

John "Soap" MacTavish:

—He easily accepts the new nickname with a smirk

—Two can play that game 'cause he'll definitely flirt back a little to be honest

—You're just adding fuel to his ego ya know

—Like Gaz he's just a big ole happy boy after you call him pretty boy

Soap was with Ghost in the locker room on base. He was chatting with Ghost, though it was more like he was talking while Ghost was listening, only giving input when he felt necessary. You'd walked in when Soap had just taken off his tactical vest, leaving him in nothing but a tight black shirt. A whistle cut through the air, catching the attention of both men. "Looking good pretty boy." Soap's expression morphed from confusion to that of an amused one. A smirk rested on his lips as he crossed his arms. "Not lookin' too bad yourself there la' " He winked before hearing Ghost groan about how you two were being gross.

Alejandro Vargas:

—It catches him off guard much like Price but he quickly gets over his shock

—Like Soap he's more than likely to flirt back with you

—Finds it funny, especially if it comes from nowhere

—Will tease you to hide his own flustered state

You were currently occupying yourself by cleaning off one of your favorite submachine guns. It was then that Alejandro had walked in with Rodolfo. They were both coated in sweat after a morning run which Rudy had immediately left to wash off. You would have joined them both had you not been minorly injured on one of the recent expeditions. You weren't complaining though, you got to rest all day and take in sights like this. A smirk found its way onto your face as your eyes scanned over Alejandro's form. "Welcome back pretty boy." Alejandro shook his head, a smile resting on his face. "Ten cuidado amigo/a, falling for me can be dangerous." (Be careful, friend)

Rodolfo Parra:

—He's flattered to say the least, he definitely wasn't expecting it but he's not mad at all

—Like Gaz and Soap he's very smiley afterwards

—You made his day with such a simple compliment and he secretly hopes the nickname will stick cause it makes his heart flutter.

Rodolfo was currently training some new recruits for Los Vaqueros, yelling semi-threatening words of encouragement as he watched them run the track. The yelling along with the heat had made him a bit lightheaded though he fought against the feeling. He jolted when a hand clapped his back, turning to see your face greeting him with a smile. "You doing alright pretty boy?" If you asked Rudy later he'd definitely blame the blush rising in his cheeks on the heat. "S-Sí, I'm ok." You tilted your head, unhooking your hip flask from your belt. You held it out to him "Cuídate Rudy." (Take care of yourself) He nodded, grabbing the flask from your hand and taking a big sip before handing it back to you. "Gracias." "De nada."

----!----

( first time writing for COD men I hope it turned out ok !! )

Thanks for reading! Have a great day/night!!

My requests are OPEN but you can still send me messages to see if I'm close to opening them again!

See my DIRECTORY for upcoming fics!

Masterlist

[thefanficmonster]

Do you do NSFW? If so, may I request a Markiplier NSFW alphabet?

Hi dear! Usually I struggle greatly when writing anything NSFW for RPF but I shall do my best. Baby steps lol Hope you enjoy <3

Pairing: Markiplier x Reader (Gender Neutral)

Warnings: !!NSFW content below the cut!!

A= Aftercare (What they're like after the act)

Mark is the absolute sweetest and most attentive lover before, during and after the act.

After he's made sure you're alright, he'd go grab you a bottle of water, a snack and a towel to clean you up. You can bet on a long cuddle sesh after the act, filled with intimacy and romance, periodically interrupted by jokes he'd crack to make you laugh.

B= Body Part (Favorite body part of their own or on their lover)

He's pretty damn proud of his hands. Years of gaming have made them particularly skillful in many ways and he knows how to utilize them just right *wink* *wink*

Oh, and also his back. He's been influenced to love it by you more so than on his own accord but still.

On you, he loves your legs and thighs. Count on him constantly having his hands all over them in both innocent and explicit instances. And when you wrap your legs around his waist....consider him a goner.

C= Cum (anything that has to do with it)

Inside, no questions asked.

Before you got to the point of being comfortable enough for that, however, he found just as much pleasure in painting either your chest, thighs or face.

D= Dirty Secret (Pretty self-explanatory)

Nothing helps him excel at a game quite like under-the-desk head while recording. Bonus points if it's a live stream.

E= Experience (do they know what they're doing)

Mark has had decent amount of experience, enough to be versed into how things work textbook-wise. Every skill he exhibits, however, is something he improvised at some point. But don't take that the wrong way - this man knows exactly what he's doing

F= Favorite Position

Mark is simple man and his favorite position reflects that - Doggy style (closely followed by cowgirl)

G= Goofy (how serious are they)

Oh this man is a majore league goof in general and during sex. That's not to say he can't get into character and dawn a serious and attractively intimidating front when the atmosphere of the night calls for it.

He's a perfect balance between goofy and serious, occasionally leaning far left or far right depending on the moment.

H= Hair (grooming habits)

He takes care of his hygiene rather meticulously. He keeps everything neat, trimmed and clean.

I= Intimacy (how are they in the moment)

There's never a shortage of intimacy between you and Mark during the act. Regardless of if the night calls for making love or having rough sex, there's never a lack of intimacy and closeness between you two.

That being said, I'd again say it's perfectly balanced. Whatever the night calls for is how Mark responds - be it slow, romantic lovemaking or rough and dirty sex.

J= Jerk-off (do they masturbate and how often)

He used to do it a lot more frequently before you started dating. Now, nothing can compare to the real thing. He can't find much satisfaction in masturbating but he still turns to it as a resort of release when either of you is away on a trip

K= Kink (kinks they might have)

Dear God, please forgive me for this...

Choking, spanking, hair-pulling, dom/sub dynamics, daddy kink, light bondage, praising/degrading (depending on what the situation calls for). Feel free to share your thoughts on this topic in the comments

L= Location (where they're down to get it on)

Every single surface in the house is game in Mark's eyes. Especially the kitchen counter and the nicely spacious shower

M= Motivation (what gets them going)

You, in any context you can think of. You don't even need to be dressed provocatively in any way shape or form. This man is just so head over heels for you, he can't help it.

Apart from that, a good ol' rage game will raise his blood pressure just right and he'll proceed to blow off some steam with you. The same works the other way around - when he's high on the success of completing a game and he celebrates with you

N= No (what they're strictly against and wouldn't try)

Anything with violent and hostile connotations that could bring you harm in any way, be it physical or emotional. He loves you more than words can describe and just the thought of hurting you fills him with dread. You both like dabbling into the occasional impact play but nothing more than that, and never without a safe word.

O= Oral (are they more of a giver or receiver)

Mark is a big fan of receiving but he enjoys giving so much more. He does it for his own pleasure just as much as he does it to bring you satisfaction. He loves every aspect of it - your taste, the tangling of your hands in his hair, the sounds you make, the bucking of your hips. It's his own personal high. He could do it for hours if you'd let him.

P= Pace (what's their pace during the act)

Again, the speed setting Mark operates on depends on the atmosphere of the night. On the regular, he likes to take it slow, prolong the experience and uphold this bubble of intimacy around the two of you for as long as he can.

Q= Quickie (are they a fan of quickies)

Nope.

The Devil is into details and so is Mark. And it's difficult to appreciate the details when working with a small time frame. He likes to take his time, worshipping you the way you deserve in the most meticulous and intimate manner.

R= Risk (how risky are they/do they like trying new things)

Oh he loves a good unconventional and borderline public location where there's a chance at getting caught. Although he prefers the comfort of your shared house it doesn't cancel out his love for the thrill of some public fun.

As for trying new things, he's down to try everything at least once - unless it falls in the No criteria I mentioned earlier. All you have to do is bring it up and you can automatically consider him signed up and strapped in, ready to try it.

S= Stamina (how long they last in bed)

The speed may or may not directly relate to how long he lasts. He can get at least two rounds - a solid hour/hour and a half - under his belt before breaking a sweat.

T= Toys (do they own and and are they down to experiment with them)

I have a feeling there is a box, hidden in a dark corner of a closer or under his bed, containing a small collection of sex toys. If you're game to use him, he'd love nothing more than take them out to play.

U= Unfair (are they a tease)

To an infuriating degree. He'd even mock you when you whine, beg or get frustrated with his teasing.

It's music to his ears.

V= Volume (how loud are they during sex)

Mark is vocal but not loud.

He exhibits his satisfaction and pleasure with mainly sighs and groans, all at a pretty low volume. But he's also very expressive during sex - praising/degrading you accordingly or dirty talking you over the edge. All in a whispered or hushed tone that makes it all the hotter.

W= Wild Card

Remember how I said he's not a big fan of masterbating? Well, when he has to resort to it he has a certain way of making it much more pleasurable...

Photos and videos you two have taken during the act or right afterwards in your disheveled states.

It's his personal collection, safely tucked away in a dark hidden corner of his computer memory.

X= X-Ray (what are they packing)

I'm sorry, I can't. I just can't. I've sinned enough tonight LMAOO

Y= Yearning (sex drive level)

Name: Mark

Status: Permanently horny

Z= Zzzz (*yawn*)

I already mentioned a cuddle sesh earlier and I will now add onto it to say that, although he tries his best not to, he does fall asleep rather quickly and deeply. How could he not when he feels so much comfort with his arms wrapped around you. When he falls asleep to the sound of your breathing and heartbeat, it's the most peaceful slumber he's ever had.

[reflections-in-a-critical-eye]

Are You Sure?! Episode 3 observations

6/10 ☆

The entire theme and purpose of AYS has been changed in the Jeju segment. It seems there is no connection to the previous episodes. What was supposed to be a travel show through which Jimin and Jungkook would allow themselves to idealize their trip to become this memory of youthfulness right before enlistment, it has now turned into a Run BTS episode. One that has been made and edited with an entire different audience in mind.

The Connecticut episodes showed two adult men acting like adults. Goofy at some points, but it was something catered towards an adult audience as well. That was evident from the conversations they were having as well.

The Jeju episode so far seems completely disconnected through two means: a larger focus on activities mixed with child-like down time and the difference in dynamics between JM and JK in what is conceptually their show as a pair and how it has to adapt in the presence of a guest.

AYS somehow managed to show in the first two episodes a bit of a more complex look at the Jimin and Jungkook relationship that also included an element of intimacy that was heavily present throughout their trip. Once in Jeju with their guest, it quickly became apparent that for those familiar with BTS variety content before the hiatus, that the audience will not witness anything new that they haven't seen before. The trio vminkook in 2023 was the same as the one doing a wlive a couple of years before or paired in a run bts episode. It remains a surface-level dynamic that has barely changed because it is not meant to show that when they know the usual recipe works for the fandom at large. Acting as buffoons is what army wants. (Consequently, the Jeju episodes might have the biggest ratings due to that exact reason).

Nevertheless, small comments and more subtle things have made some cracks that open a door into what might exist right underneath the surface.

Demanding to be on a trip two days before the flight had obviously led to changes in itinerary and sleeping arrangements. It had also showed that there was a push for the guest to be on the show coming from him and a bit of displease with that, disguised as jokes and subtle jabs throughout the first day on the island.

Jimin being sick again and suffering from nausea in the first part of the day had a contribution to how the activities moved forward. It became apparent that he is not only the glue of the trio, but also the one constantly aware that they are in the role of entertainers. Even so, sickness can do enough that his energy level in the afternoon was clearly low. Tagging along and being half enthusiastic to an activity-packed day.

Depending on the context and the people surrounding him, it's interesting to notice Jungkook's level of involvement and the way he chooses to behave. Theme park and water guns in the situation in which he's influenced to goof around are quite different than a trip in which he can show more of his mature side with someone that is on his wavelength.

[pia-nor481]

Lando norris nsfw alphabet

A- Aftercare (what are they like after sex)

I feel as though it’s very dependent on his mood, sometimes it’s a little chaotic running around grabbing water and rushing to the shower, where other times is just soft pillow talk and cuddles.

B- Body part ( their favourite body part of theirs and their partner)

In my mind he favours his hands due to their size, maybe a little bit of a size kink. He enjoys the difference and perhaps how one can cover most of her throat, or how he could easily grasp both of his partner’s wrists together

While on his partner, we know he likes ass so I don’t know what you expected. However, I feel like he might also really like tits, but keeps it a secret because it’s considered “childish” by some (mainly in the uk). In a less sexual sense, I believe he’d really love his partner’s eyes, whether it be staring at them, or how you can tell so much emotion from them.

C- Cum (anything to do with cum)

I don’t know why I get the feeling that he cums a lot in one go. Anyway I think he’d like to pull out and cum on his partner, whether that be tits, thighs or stomach etc. But if can cum inside he definitely would, this would be a main factor in deciding the type of aftercare given.

D- Dirty secret (a dirty secret of theirs)

He may or may not have jacked off to a normal voice note of his partner. The context wasn’t even sexual, he just missed hearing their voice and was very horny.

E- Experience (how experienced are they?)

Is it bad I don’t think he has that much experience? We don’t know about many ex girlfriends. But I think he likes to fuck a lot, so he would be very experienced in pleasuring just his partner after learning (being taught) what gets them off.

F- Favourite position

I think we can all agree he likes doggy, but not for the reasons as most men ((boys) bc a man would never!)) He really wants to be able to see his partner’s face and reactions to what he is doing, he likes the ego boost. Plus I think he likes spanking, not too hard in this specific position, just a few light taps and some groping.

But cowgirl gets an honourable mention, as mentioned above he does like tits so getting so stare at them really gets him off

G- Goofy (how serious are they in the moment?)

Very dependent on the lead up. There are times where sex just has inconvenient moments; struggling to take clothes off so that just leads him to resting his head on his partner’s shoulder, letting out a sigh then a little chuckle. Or maybe a time where he’s just hard, not for any specific reason and asks (begs) for his partner to get him off, and he’s all giddy about it, so it’s just laughs in between moans and groans. On the other hand, I think there are times where he’s very serious , mostly when sex is on the rougher side or post race. Maybe even on an anniversary or special occasion he’d try to be much more serious. But in general I don’t think he’d actually make a joke, or at least not on purpose.

H- Hair (how well groomed are they? Does the carpet match the drapes?)

I’ll be honest, I think it’s a little darker than the hair on his head. I don’t think lando is clean shaven (now that he actually has pubic hair), he tries to keep it quite short though, but sometimes he gets a bit busy and so neglects the length and doesn’t trim it. But I think he may refrain from blow jobs at this time and opts to fuck his partner’s tits instead. Separate thing, but, I think he also has Sunday everything showers on non-race weeks.

I- Intimacy ( how are they during the moment? Romantic? Pleasure driven?)

I think a mix of both as he’s a very horny man so sometimes he rushes for pleasure, yet other times he likes to be slow and passionate, making love not fucking. He would really like to take his time, traveling from room to room, spending lots of time feeling up his partner.

J- Jack off ( masturbation headcanon)

I think he masturbates a lot, a few times a week and I think it would be roughly at the same time of day as well. But he can’t just sit there, he needs material!! Whether that be just pics or short videos in his ‘my eyes only’. Again let me mention the voice notes, he does think it’s bit strange how much he liked it, and how quick he came. But he would much prefer phone calls where he’s limited to just his girlfriend’s voice. Almost teasing himself. And her

K- Kink (one or more of their kinks)

As mentioned above size and voice.

But he really likes control and being dominant. He knows that dominance isn’t just position. He knows how to dominate without putting in any of the physical work

Sensory deprivation- so blindfolds, mainly again as he really likes control (as said in some interview) and he knows not being able to see will heighten your other senses so he would talk/whisper a lot more and be more feather light with touches. This idea can also tie in with the only phone calls not face time

Impact play- again linked to dominance, I think of this of being very specific and planed out. It doesn’t happen just because he got hard 10 minutes ago, but this is specifically reserved for non-race weekends. Mainly trying new toys, whether it be a crop or any object. Maybe just his hands. I think a lot of this is exploring based; testing different areas like the very top of the thighs, instead of just the ass. He always makes notes (during the sex in his head, then after maybe in a book as that can’t get leaked) but this started with a lot of communication to prevent any real injuries, making sure to use a safe word system (I imagine the traffic light system as it fits best) and ensuring that he only hits fatty areas not where organs reside. He wants to play yet it must be safe or it isn’t fun.

Katoptronophilia- mirrors. I believe that he likes to make his girlfriend watch what he’s doing to her as well as see the pleasure he’s giving her. It’s like a power rush as well as a sense of accomplishment/ achievement.

L- Location (favourite place)

Definitely bedroom. This is mainly due to privacy, but I also think it’s because he’s not very tall, so perhaps his hips aren’t high enough for counter sex. I’m not sure though, I may have tested it ( for context when I’m on my tiptoes I’m almost his height and my hips were not above the kitchen counter.) but tables I think he’d like, as well as bending her over the sofa or in the bathroom sink in front of the mirror.

M- Motivation (what gets them going?)

I think most things would turn him on, but I think being challenged would give him motivation to put his girlfriend in her place. Also, just generally intimate/ domestic situations

N- No (something they wouldn’t do, turn offs)

Probably watersports etc but to be honest I don’t know with him. To me I think most people don’t really like that, or at least won’t say they do.

Electro stimulation- it just seems a bit too scary

O- Oral (preference on giving or receiving, skill)

He’s a man so will probably prefer receiving, but he would really enjoy eating his girlfriend out for a sense of pride. However, I feel as though you may have to teach him a little, like he knows what he’s supposed to do but may struggle with actual delivery, but he’s so willing to learn, all smiles. We should take into consideration that he is an athlete so his breath control will be amazing.

P- Pace (are they fast or slow? Rough or sensual?)

Not to be repetitive, but, it will depend on the situation. However, I believe he leans more on the rough side, I don’t have evidence but I stand with that opinion. Furthermore, he’s likes to be rough due to the power and trust it gives him.

But he usually isn’t particularly fast as he’s been informed (generally speaking on the internet) that women will say harder but a man would go faster and they wouldn’t like it. (I know that’s super generalised but he would definitely listen and do what would give her pleasure) he likes research and found some study that wearing socks can make women cum harder and immediately suggested it.

As mentioned before he likes to make love, so winter or summer breaks are reserved for kinky fucks and sensual love making. I rest my case

Q- Quickie (their opinions, how often etc)

He absolutely loves them. He gets horny very quickly and so would want a release as quick as possible. Also the convenience of his drivers room allows for quickies all the time, pre and post race. But if he’s at home he’ll want long and more passionate sex

R- Risk (will they experiment? Do they take risks?)

If it’s not a hard no he’ll probably try it at least once, but he also must worry about his career. Although he really wants to fuck publicly, he can’t take that risk

S- Stamina (how many rounds can they go for)

Again he’s an athlete so can go for long periods of time yet I don’t think he could cum more than twice in one go. He can definitely cum many times in the same day, but he needs a few hours break. But he will make the time he’s fucking his girlfriend as long as possible.

T- Toys (do they own any? Do they use them? On a partner or themselves)

He knows toys are his friend not his enemy (as told by the bathtub toys thing.) Anyway, I think he once bought a vibrator when he was single just because he saw some men talk about how amazing the orgasm felt and he would have really enjoyed it, but always cums way to fast for his liking, he wants to last longer than three minutes. He will definitely use toys on his partner, whether that be a dildo or vibrator of some kind. He also really wants to try hand cuffs but he feels as though he needs to build up to it, as such a physical restraint can be quite a mental strain; so he decides to try it with just paper first so she could very easily get out it she wanted to, then tried those silicone “cuffs” for the same reason. Then finally used metal ones with a lock. But he will always cuff her hands in front of her.

U- Unfair (how much do they like to tease)

I think verbally he teases A LOT. But physically not too much. He may deny the orgasm once or twice before letting her actually cum. But foreplay will be quite lengthy, he wants to slowly drag his hands along her thighs or only push his cock in 2 inches before pulling out fully.

V- Volume (how loud are they, what sounds do they make?)

I think he will always be making noise just not overly loud. Always groaning and moaning (thank you for the twitch streams) he can be completely quiet, except for heavy breathing, if he really needed to.

W- Wild card (a random headcanon)

I think, at some point, he bought one of those moulds to make your own dildo. Just the thought of his girlfriend fucking herself with a silicone version of his cock really gets him going. Along with those remote control vibrators. He would love them especially when she can’t be at a race and so he can make her cum when he’s on the other side of the world. (I didn’t know that was possible until the other day) it’s just so hot to him.

X- X-ray (how big are they?)

You know what they say about the skinny ones. He’s either very long and is relatively thin. Or average length but girthy as fuck. Contrary to popular belief, I don’t think his tip is pink/ red ish. I’m totally basing this off the colour of his lips. But you know. Just a thought.

Y- yearning (how high is their sex drive)

This man is so horny. 8 or 9/10

Z- Zzz (how quick do they fall asleep afterwards?)

I don’t think very quick, unless it’s been a super long session, but even then he’d make sure his girlfriend is situated before daring to fall asleep. He likes cuddles so expect to be in his arms for as long as possible.

If you have any other ideas/ headcanons please comment. I really want to see other people’s opinions.

[katerinaaqu]

Achilles and Patroclus: Friends Lovers or both? (An analysis based on Homeric Epics and some ancient sources)

Yet another analysis requested by my dearest friend @artsofmetamoor while we two explore the complexity of human relationships in our own projects including romantic relationships of various kinds, including homosexual and homoerotic material as well as more traditional notions of family and kinship along with the complexity of values such as companionship and friendship, which we hold in the same regard as in the above so here's one of the most discussed relationships in greek literature. Buckle up with me because it is gonna be a looooong ride!

Achilles and Patroclus are two figures of greek literature and mythology that sparked discussions and analysis from the very first time they were introoduced as characters in the homeric poems in 8th century BC and not for their heroics in Trojan War but rather the nature of their relationship. Not to mention in modern day times we also start the rather overused and kinda ridiculous joke of "Historians say" around. But there might be some truth in some concerns in regards to their relationship.

A small history of their family

Achilles and Patroclus were related by a distant ancestor, Aigina. Aigina had a son with Zeus named Aeacus who in turn got married and had Peleus, who has the father of Achilles. Patroclus comes from the same line for Aigina later marries Actor and has Menoetius with him. Menoetius marries his cousin Damocratea, also possible daughter of Zeus and had a son named Opus who in turn had Patroclus, making Patroclus and Achilles de facto first cousins by the line of Aegina

(Yes...sorry "Troy" haters out there...hahaha Patroclus really WAS Achilles's cousin! ^^; Not that it ever stopped anyone in greek mythology!)

Patroclus was ellegedly exiled from his homeland when he accidentally killed his playmate and he fled to the court of Peleus where he got adopted by him thus the two characters lived most of their childhood together. Patroclus by most accounts is quite older than Achilles so in a way he was also assigned not only as his playmate but also as his "squire" or protector in various occasions. Needless to say that of course the two of them developed a very strong bond together.

Greek Text

To be honest, every time some person who does support the theory of them being lovers is being asked on it and that person claims that "the greek text is quite simple really". Allow me to disagree though. It is not. Quite frankly if it were, it wouldn't have sparked the conversation even to ancient greeks themselves of their time!

Arguably Homer never explicitly describes them as lovers in his poems (as opposing to other figures in the text that are undoubtedly sharing sexual relationships in the Iliad such as Hera and Zeus, Paris and Helen or even, ironically Achilles with Briseis once she is returned to him). However one would be a liar if they denied certain insinuations of a romantic involvement betwen the heroes.

Φιλέω-ώ= to love < > φίλος=friend, companion (Substantive), beloved (epithet)

Quite frankly Homer as we said before he a master of words and none of his words is picked at random. And the term φίλος is no exception. The word is being explicitly used in Homer by various of characters. The term can be translated interchangably from either "friend" to "beloved" depending the context. One of the most infamous and touching moments this word is being used is at the lament of Achilles when his mother asks him to speak up on why he laments so hard:

With heavy groans, fast in feet Achilles responded to her: "Oh, my mother! The Olympians have done what they had predicted for me! But what joy remains for me, for my beloved comrade Patroclus is gone! I lost him! The one that I valued most among my other companions, equally to my own life!"

(Translation by me)

In here the concept of "φίλος" is clearly an epithet or plays the role of one since the actual word that we are looking for as a substantive is the word "ἑταῖρος" which stands for "companion" or "comrade" (a term used generally throughout the poems to indicate bonds in army or of friendship or even husband and wife at some cases). In here it clearly means "beloved" by the general text for the word "φίλος" is not used as a substantive. Other cases such as this appear in other parts of the poem even with the fullest form φίλτατος which means "the most beloved"

However it needs to be noted that the term φίλος as the essence of "friend" comes directly from this term "to love" which means someone "you are close with" someone "of your own kin" someone "dear to you". The ancient greeks do not seem to be making a distinction between love as in lovers and love as in family or relatives when using this verb and the words coming from it (one good example is Thetis referring to Achilles as "φίλον υἱὸν" which means "beloved son" and here has no romantic implications at all).

The term is being used interchangably throughout Homer to speak about characters with close relations of kinship that are not linked to romantic essences at all. For example the way Menelaus adresses Odysseus as such in the Odyssey:

Oh, how strange! That has come to my house the son of a man much beloved to me; who for my sake has suffered so many ordeals!

(Translation by me)

In here Menelaus again is usingthe term φίλος but he doesn't speak out of romantic intentions at all. He speaks with the warmest words but in here it is the most intimate form of friendship and kinship and is followed by the implication of gratefulness, how he adds up how Odysseus suffered "for his sake" aka to fight the war and be lost afterwards. And before someone says "it is not the same amount of warmth" one must think again because before Menelaus speaks about how because of the agony he feels for his friend he does not eat or sleep properly and given that it has been 10 years already since the last time they saw each other that is a damn long time.

But all of them I do not grieve as much, even if I mourn for them, as much as I do for one man, because of which I both detest sleep and neglect to eat, for there is no one of the Achaeans that suffered more than what Odysseus suffered and endured

(Translation by me)

So not only Menelaus feels like Odysseus suffered the most out of them (and strictly speaking one can look at fates of other heroes like Diomedes to see they are not far behind in suffering) but that the way he constantly wonders about his well-being makes him unable to sleep or eat and that seems to be happening for years and years which shows the true depth of their friendship.

So no, strictly speaking the word "to love" is not used by the greeks to imply only romantic love and it can be used pretty intimately even if it is not referring to romance. And the difference can be perceived by the same writer as well not just some play that was written several centuries later in which, inevitably, we could talk about some alterations of meaning to the words over the course of time

However there seems to be another phrase used to express intense feelings of love which is κεχαρισμένε θυμῷ which means "dear to my heart" and in Iliad ironically that phrase is spoken by no other than Briseis herself!

Oh, Patruclus! Dearest to my wretched heart!

(Translation by me)

This interesting shout of love coming from Briseis is also interesting for it could be implying both emotions of romantic love but also of affection in general. Which is another phrase that researchers have looked upon in search for hidden meanings of romance but once again it was often used either as such or with the term "φίλος" instead to speak of relationships of family or kinship. But grieving scenes such as the one of Briseis might also be indicator of romance although not exclusively referring to that.

The Lament

Quite frankly speaking, Achilles's lament is one of the most infamous and well-known in greek literature exactly because of its explicit nature. We do see characters lament in plays before but it is not as frequent to see lament SO strong coming from a male character and so openly (see for example in the Odyssey how Odysseus tries to hide his own tears many times or how his men are wrapped up in veils in lament for their own lives and their fallen comrades' but by n large the male lament is more subtle, more silent). Achilles is different. For example when he is first told about the news of Patroclus's death the result is nothing less but the ultimate emotional collapse:

So they spoke and black mist of distress covered him: With both his hands he gathered smoky sand and he poured it over his head and disfigured his face: his nectarous chiton turned black with ashes. And he himself dropped in the dirt and stretched over his lying (here: the corpse) friend/beloved pulling out his hair in lament. The slaves given as war price to Achilles and Patroclus, released a great cry of sadness and they approached all to the sides of mourning Achilles, beating their chests with their hands, and their knees each. Also Antilochus with them was lamenting and pouring tears holding the hands of Achilles: for he was moaning with his noble heart: worried that he would cut his throat with iron (here: a knife).

(Translation by me)

There is no words to express such an intense display of pain given by Achilles from second one when he receives the news of the death of Patroclus. He immediately pours ash over his head (quite a common trope for mourning done by many characters before.) and "disfiguring his face" which means he was digging his nails down his cheeks which was again a trope of mourning in greek literature. The intensity of his lament is so great that Antilochus feels the need to hold his hands just in case he would want to comit suicide in his pain!

Ironically for most part in this lament does it mention that Achilles was making any sound at all during the process, which somehow makes it even more disturbing to think that Achilles simply drops to his knees, covers himself in ashes and scratches his cheeks while lamenting over the body of Patroclus hardly making any sound at all. It is the slave women who arrive later that release the cries that undoubtedly are within the soul of Achilles. Somehow his lament is extreme and yet no audible hint exists for most part of the text EXCEPT the final one where it says "moaning with his noble heart". It almost seems that his body does most of the talking till the women arrive and cry out like he so much wants to and then his mouth also makes sounds. It is not a scream; it is a moan. It is possible of course that the clip refers to Achilles constantly moaning but I do like this as a possible food for thought that if Achilles was firstly responding to pain with his actions and then with his voice and in a way the moment he actually made a sound was the moment Antilochus truly began to worry!

There is a certain theatricality to this scene of lament and drama which of course as many analytics before me would say, it seems to be hinting to some other infamous laments of mythological characters and more specific the laments of Apollo. Apollo is one of those figures for whom we have no doubt he was lamenting his lovers and some classical examples are Hyakinthus and Cyparissus both of them transformed into a flower and a tree respectably. The associations of Achilles and the grieving god seem to be more than just a possibility here. Which of course enforces even further the idea of them being lovers. It is also the amount of time that Achilles mourns plus the intense way that he refuses to let go of the body of Patroclus to which he seems to be holding on from the 18th rhapsody when he first finds out of his death till the moment that she arrived with his armor one rhapsody later. Quite a gruesome scene is when she enters the tent and finds Achilles crying while clasping Patroclus onto him:

And she found her dearest son still lay there, clasping Patroclus and crying woefully and his comrades around him mourning

(Translation by me)

And at this point Thetis hasn't yet given nectar and ambrosia to the body of Patroclus to prevent the sepsis from happening, which happens a few lyrics later. So Achilles was holding the dead body for the entire day even after it was cleaned and prepared showing the intense pain Achilles was expressing and going through. And he seems unwilling to part from him till Patroclus's spirit itself arrives in his sleep and requests a burial so he can rest.

Of course it needs to be noted that intense lament is not exlusive to lovers in greek mythology. To name a few Athena grieves intensely the loss of her friend Pallas and by some accounts she does take her name as her epithet post-mortem. Antigone intensely mourns her dead brother and laments his disgrace when she finds that the ritual burial she performed had been disturbed. And the acting of killing oneself out of sorrow again is not strictly remaining to the love affairs. For example Ismene killing herself after learning the deaths of her family members in general and Antigone in particular. Another most prominient example is king Aegeus who throws himself into the sea when he sees the black sails of the ship coming from Crete, thinking his son was dead.

So the exessive expression of grief are not just dedicated to lovers or husbands and wives in greek literature but rather it is expanded to all people who mourn someone dear to them regardless of the nature of the bond between them. In the case of Achilles of course he does seem to be having a specially strong mental breakdown every time some important person in his life that is said to be romantically involved with him dies or is taken from him starting with Briseis for whom he expresses his emotions many times in the Iliad and she is the first reason of his anger, of course Patroclus and Penthesilea for whom he apparently has feelings for a few monets after he sees her face after she dies. In Posthomerica it is even said that his lamentover her dead body is "the same as the one over Patroclus" and of course Antilochus later according to the Epic Cycle when he died protecting his father, caused another explosion of anger to Achilles which was fated to be his last one.

It is possible since his love is clearly stated in the cases of Briseis and Penthesilea that the same can have occured for Antilochus and of course Patroclus which was the most heartbreaking of them all and for good reason. In fact the case of Patroclus seems to be that he plays every role in the life of Achilles. He is his friend, his companion, his squire, his advisor so why not his lover too.

The Same Urn

Now of course where people surely think they have a clear case of romantic bond seems to be the request of Patroclus to be burnt but his bones to be kept in the same urn that is to be used for Achilles as well. The passage happens in the 23rd rhapsody:

And one more thing I ask for you to excecute; do not place my bones apart from yours, Achilles, but together just like we were raised in your chambers, when I was brought to your land by Menetoios as a little boy from Opois because of the grievous manslaughter, for when I was a child I was foolish and killed the son of Amphidamas without wanting to, for I was mad over a game of dice: there I was accepted to the chambers of the horseman of Peleus who kindly took care of me and named me your squire. And the same way I want for my bones to be together with yours in the same golden box, the one your divine mother prepared for you.

(Translation by me)

So apart from the fact that it is a highly emotional scene, seeing your dead companion arriving at you and begging to be let go (this is literally Patroclus saying "Let me go, Achilles...just let me go" for Achilles literally refuses to give up his body not even for a burial) it is also the scene that seems to be winking to the fans of the idea of them being lovers as a proof that they are together. And quite frankly I can absolutely see why and it would be foolish to ignore this possibility especially given how tenderly Achilles calls him "my beloved" (or "as loved as my own life") after the whole request is done from the spirit of Patroclus which is more than clear indication for many accounts and that makes perfect sense.

The custom of co-burial was known in Greece from the earliest times of its civilization till the end (because quite honestly I am not sure the custom will stop existing in Greece since despite the lack of cremations, we still have the custom of common graves even if it is only for those who can afford have a family monument). We often find urns contain bones of multiple individuals and yes more often whatnot they are maritable partners and the obsession of words that mean "together" in this passage such as; "μή (...) ἀπάνευθε" (not apart), "ὁμοῦ" (at the same place, together) or "ἀμφικαλύπτω" (cover each other) seems to be pointing to the direction of a romantic relationship and it won't be the only time someone is co-relating the mingling of ashes and bones with "marriage" (and example is The Hunchback of Notre Dame, where Victor Hugo describes the way Quasimodo and Esmeralda's skeletons turn into inseparable dust as "Quasimodo's Marriage")

However on the counter-talk, co-burials were also common among family members (which is exactly what Achilles and Patroclus are). Ironically from the excavations to Mycenae several co-burials were discovered that were not related by blood but they were theorized to be connected to some relations of adoption (which again seems to fit the case of Achilles and Patroclus from the time Patroclus was brought in and ellegedly adopted by Peleus)

I am also convinced that the fact Patroclus gives us some good portion of his background story here was not just a random thing. It seems that Patroclus places emphasis on why he wants to be in the same urn as Achilles; because they were raised together, they were together all their lives and he wants them to be together in death as well. It absolutely could be a romantic insinuation on Patroclus's part however it seems equally possible that the background story serves as a lever to make the public understand how the two of them were raised together and wished to remain together. It almost feels like Homoer wants either to stimulate the idea that the past is an extra point towards their romantic relationship or yet another point of the closeness of their kinship or both (to me it seems the latter)

However another factor to this urn seems to be Antilochus. Antilochus who was close to the age of Achilles, the one who was in charge to bring the news of Patroclus's death to Achilles and the one that we saw consoling him and trying to prevent him from doing something foolish seems to be added to this circle. In fact in some future sources he is featured as the reason Achilles died, for he was driven in yet another furious attack against the Trojans, forcing them to fall back when he saw him fall dead protecting his father from the Ethiopian king Memnon. In some accounts, even possibly Homer included, is insinuated that Antilochus was also included in the funerary urn with Achilles and Patroclus although in the Odyssey it is clearly stated that his bones are not in it:

Your mother gave me this golden amphora (here an urn with two handles); a gift from Dionysus she said to me, made by the renounced Hephestus, in which lie your white bones, radiant Achilles, mixed with the ones of dead Patroclus son of Menoetius, but without Antilochus, whom he honored above all his comrades after Patroclus died.

(Translation by me)

So in the Odyssey it doesn't seem like they were indeed in the same urn (unless somehow Nestor could tell the bones apart and took them out? hehe) but they all thee of them are joined in one tomb and worshipped as heroes. So in a way Antilochus seems to join them just not in the same box. However the three of them are indeed seen together in the underworld as one trio literally. They are apparently joined after death according to what Odysseus saw in the underworld.

Once again seems like the romantic as well as the kinship theories could be true interchangably or even at the same time.

Ancient Greeks on their relationship:

As I mentioned above many ancient writers and not just the infamous "historians" everyone mocks on the internet, seem to have placed their own guesses and opinions on the relationships of the two heroes.

Aeschines seems to be contemplating the idea they are lovers (aka he says that Homer "hides their love") and he even reads Patroclus's story as "an intercourse they had once". He names their relationship έρως aka romantic love (eros). Aristotle in Nicomachian Ethics and Rethoric he uses the term "comrade" to talk of them, choosing to focus more on their friendship. His teacher Plato though was a different story. He was convinced that they were not only lovers but he had also figured their roles in their relationship as presented in his Symposium, naming Patroclus as ἐραστής aka "the one who gives love" and mentions how Achilles is in love with Patroclus. Plato remains one of the most...great "shippers" of the two having no doubt about their love affair. To the other end is Xenophon who is adamant that they are not lovers, in his own Symposium. A large number of greek writers seem also to comment on both possibilities, it seems to me quite interesting how many different readings the homeric poems provide.

More mordern readings:

While it is true that there is a certain confusion to the public since a large number of texts either were deliberately modified or genuinely mistranslated (given again how terms like φιλώ means "to love" in general in ancient greek and not just romantically or that the term ερώ does mean "to love as a lover" in some contexts but it also means "to desire very much" and it was used in various of contexts) and these double-meanings were taken advantage of to translate the texts differently and that is because when someone in modern times says "my beloved" by n large they refer to a lover which was something that was greatly hushed up in public

Of course as we stated above for ancient greece that was not the case since the term "beloved" could be used in various contexts and it showed intense emotions of kinship between two people regardless of the nature of their relationship.

However in some accounts the obsession upon trying not to show intense potentual homoerotic material made many of these translations unreliable. There were exceptions to the rule of course but the real breakthrough wouldn't really happen till later in the 19th century where we also have more samples of printed work. Translations like Butler at the end of 19th century are far reliable to the text and seem to follow the spirit of Homer. Quite frankly there was already a breakthrough to homoerotic material thanks to not only the neo-classisim but also gothic literature such as the vampire novelle Carmilla so many writers became more bold into translating the tender words of love as they were and leave the public decide upon their nature.

However this effort to hush up the tender words spoken in Homer out of fear that they might be interpreted as homoerotic created of course this modern uprage in which we have the other way round; that people are afraid to talk about friendhsip and kinship because they will be hushed up by the readings of the text as homoerotic

(see my other post for this)

This, in my opinion simply removes all the abive context; that love can be expressed between family members or friends or people who have been through a lot. Quite frankly as you can see not only I am not denying their energy as lovers, I like to believe I am also supporting this theory a lot because there is a lot of possibility in it just like there is on the direction of tenderness and affection. I do think today people are afraid to speak up on the other side exactly bcause nowadays the most famous way to see them is as lovers as opposed to the previous periods that did the other way round

Conclusions:

I have no doubts that Homer, even though not clearly speaking about it (for example referring to sexual acts) he seems to be insinuating that the two of them were sharing romantic bond or feelings for each other

(it needs to be noted that it is not entirely clear that if there WERE romantic feelings that they were confessed or known by both parties, which could potentially mean the two of them loved each other romantically but did not fulfill their love which could be another tragic note to their story)

Homer seems to be sending several hints to his viewers/readers that one could interpret them as lovers given the tender dictionary they use between each other and for each other, allowing his...fans to decide for themselves. It is also highly possible that he too saw them as star-crossed lovers, for he gives them all the elements of various other stories that involve homoerotic romance, even the tragic end to their story.

However I am equally sure that he also wanted to say that their friendship was of equal importance. There is no doubt that Homer considered them close friends (for he gives us a small hint of their backstory, how they grew together) and their story is being projected like many other duos and characters in the Trojan war that are linked together with bonds of kinship and companionship; stories that flourish at war. He might not straight out tell us that they are the case of story "from friends to lovers" but he absolutely seems to be letting us know that their kinship is there!

And I am grateful to Homer for his writing because it seems to me he wanted both sides to equally enjoy the story; whether they are those who do think their closeness is romance and those who think it is close kinship, strong family bonds or friendship. I am almost convinced that Homer deliberately used that as a way to please both sides of the audience or to give a more tragic aftertaste to their story since closeness is much more impactful to the face of separation.

I like them both and in fact I support them simoultaneously for honestly there is no best lover than your best friend; someone you can trust with everything you have. If I had to support one form of love, this would be it but at the same time I do support the idea that friendship is already a powerful bond of two people and that romantic love in this case would come as a bonus. Somehow Homer does seem to entertain this idea in his writing given again the extreme tenderness and the tragedy of these two while at the same time leaving the door open for his audience to speculate, make interpretations and enjoy the story in their own perspective.

If that is not art I dunno what is.

Okay guys this is only but scrapping the surface of this relationship that lasted for 3000 years now! Hahaha but I hope you like this! It took me several hours to synthesize but I hope you like it.

[charlottesbookclub]

ser gwayne hightower fluff alphabet 💚💚

Summary: just what it says on the tin: fluff alphabet for my boy gwayne (do people still do these anymore? idc I'm doing it bc I love reading them and I thought I'd try writing one myself 😌😌)

Warnings/Tags: gn!reader; spouse!reader; established relationship (marriage); we are all going to have fluff-induced cavities after this, I fear (it's more absolute tooth-rotting fluff, y'all!); let me know if I've missed anything! ☺️

Words: 2985

Author’s Note: I'm meeting with my phd advisor today which is going to be totally fine (she is so super sweet) but my brain decided we were going to have major anxiety about it, and what better way to distract myself than by writing fluff for gwayne!! 🥰💚 I've never done one of these before, but I always enjoyed reading them, so I thought I'd try it myself! ☺️ I like that it lets me explore his character without having the pressure of a plot lol

as always, I hope y'all enjoy and feel free to let me know your thoughts!! ☺️💕

template by: magical-warlock

A ctivities - What do they like to do with their s/o? How do they spend their free time with them?

Honestly anything. I feel like if it was something you enjoyed, Gwayne would find himself enjoying it too, just because you were happy. But I think like he would really like going on leisurely walks or horse rides together. It’s an activity that allows you to talk and get to know one another, but where you can also explore the beauty of a garden or forest together. I could totally see him bringing a book along and reading it aloud to you under a tree.

B eauty - What do they admire about their s/o? What do they think is beautiful about them?

Everything lmao. But your eyes stand out to him, especially when he can read all the things you don’t say out loud in them. I feel like he would also appreciate intellect, common sense, and wit. He is clearly sooooo done with Criston’s weird dumb bullshit, and I think someone who was rational and level-headed but not afraid to crack a joke or two (especially at Criston’s expense lmaooooo) would be really appealing to him.

C omfort - How would they help their s/o when they feel down/have a panic attack etc.?

My mans would not be much help at first because he’s freaking out too. He wouldn’t want to see you in any kind of distress, especially if he’s not sure where it came from or what’s causing it. I think if it happened more than once and you talked about it and expressed what you needed, he would be more than willing to do whatever you needed from him. My sense is that his first reaction (after the initial freak out) would just be to hold you really tightly and whisper reassurances to you until you were feeling better.

D reams - How do they picture their future with their s/o?

Given the society that Gwayne lives in, his expectations have kind of been set for him in the sense that his future is pretty much expected to involve marriage and children. And honestly, I get the sense that this isn’t something he’s necessarily opposed to. Especially since he found you and realizes he gets to marry someone he actually loves, he’d be pretty thrilled about the whole prospect. It just doesn’t seem like life on miliary campaign is something he’s super jazzed about, so his ideal future would likely be just settling down with you in Oldtown. 

E qual - Are they the dominant one in the relationship, or rather passive?

I think it’s pretty mixed, especially depending on the context. Again, given the societal expectations placed on him, I do think he might tend to be a little more dominant (especially if he thinks/knows that he’s right about something) but I also don’t think he would ever force you to do something you didn’t want to. He’d also back off on just about any subject if he noticed you were getting upset about it. I also think it really depends on your temperament, since I think he could really go either way depending on what energy you brought to the relationship.

F ight - Would they be easy to forgive their s/o? How are they fighting?

It would be really hard for him to stay mad at you (and vice versa). Unless it was something truly awful, I just don’t think he could stay upset with you for very long. As we’ve already established, he’s a pretty rational person who seems to value clear communication, so I think “fights” with him would be more like difficult discussions about hard issues rather than an actual fight. This is really nice because then you both get to speak your mind and actually come out with a better understanding of the other person and a stronger relationship because of it.

G ratitude - How grateful are they in general? Are they aware of what their s/o is doing for them?

I do tend to think that he’s a pretty grateful person, but I think he’s better at showing it than saying it sometimes. Not that he can’t verbalize his gratitude – he totally can – I just think that gestures come more naturally to him (like winning a tourney in your honor, buying you something extravagant, taking you on a nice trip, etc.)

H onesty - Do they have secrets they hide from their s/o? Or do they share everything?

Yes and no. If there was something he knew that would put you in danger if you knew it, he would not tell you. He would never forgive himself if something happened as a result. Pretty much anything else though, he’ll tell you. He won’t always offer everything, but I think he would have a hard time lying to you or keeping things from you if you asked about them. Depending on what it was, he might tell you a sanitized version of the story because he doesn’t want you to worry, but he’d be as honest as he felt he could be in the moment.

I nspiration - Did their s/o change them somehow, or the other way around? Like trying out new things or helping them overcome personal problems?

I think in any good relationship (romantic, platonic, or otherwise) people change each other for the better. Gwayne is no exception to this, and I think it’s likely that he picks up habits from you (just as you do from him). I can definitely see that if he had you as a confidante to rant about Criston or just to express his worries and doubts about politics, his family, etc. that he might be a little less overtly antagonistic and instead might just smile and nod a little more but internally be like “wait til my s/o hears about this fucking bullshit.” He’d definitely still give Critston attitude tho

J ealousy - Do they get jealous easily? How do they deal with it?

Yes and no. Gwayne is a fairly confident person, and I think he feels pretty comfortable with himself and with his relationship with you for the most part. However, I don’t think he’s immune to jealously, especially if it were to seem like another person was paying you a bit too much attention. In that scenario, I’m sure he’d have some quip at that person’s expense and whisk you away or be very obvious about using your title as his spouse. The one thing that might make him feel truly insecure is if it seemed like you were becoming interested in someone else. But let’s be real, if you get to marry Ser Gwayne Hightower, that’s not fucking happening 

K iss - Are they a good kisser? What was the first kiss like?

Oh, he’s definitely a good kisser. I don’t think he was one to have a lot of trysts prior to meeting you (despite his bravado, I think he really values an emotional or intellectual connection to the person he’s with, meaning I don’t think many of the flings he might have had made it all the way to the hook-up stage). But he’s a handsome man who likely had a lot of admirers, and I do think he got a bit of practice with kissing in his youth. He’s absolutely very attentive to what you like, so I think he’s only gotten to be an even better kisser over the course of your relationship. In terms of your first kiss with him, these lyrics from “All My Love” by Noah Kahan are very applicable here: “I leaned in for a kiss thirty feet from where your parents slept / and I looked so confident, babe / I swear, I was scared to death.” Especially early on, I think he really wanted to project this confident and suave vibe that he totally knew what he was doing, but as soon as he realized he was in love with you, he was actually a nervous wreck and desperately did not want to mess it up. 

L ove Confession - How would they confess to their s/o?

re: Gwayne’s penchant for gestures, I have a feeling he had a whole well-written speech planned out (he based it on the dramatic love confessions he read in old ballads). However, despite all his preparation, I think the confession actually ended up just slipping out one time when you were together and he couldn’t keep it in any longer. He probably stumbled over his words and was very embarrassed about it and his face turned bright pink, but it was so adorable and endearing that you actually preferred it to whatever speech he might have had planned.

M arriage - Do they want to get married? How do they propose? What would the wedding be like?

As I mentioned above, I think that marriage is pretty much a given for Gwayne considering the realities of the culture in which he lives. He also probably didn’t propose in the traditional sense, since the marriage was likely arranged, but I can absolutely envision him proposing to you privately after the betrothal has been officially announced and after he’s spent enough time with you to realize that he is genuinely in love with you. It would be sort of a love confession/proposal where he basically says “I know you were chosen by others to be my spouse, but I also personally choose you because I love you.” The wedding would be fairly large and befitting of his rank and station, and it’s likely that neither of you would have much choice in how it was conducted. Gwayne definitely likes the idea of a large and fairly public wedding because it’s a way for him to show his pride for both his house and his betrothed.

N icknames - What do they call their s/o?

Very sweet things! Mostly “my dear,” “my love,” and “dearheart,” with a sprinkle of “my darling” mixed in on occasion.

O n Cloud Nine - What are they like when they are in love? Is it obvious to others? How do they express their feelings?

He gets very love-struck, especially when he’s with you. Spending time with you is like spending time in another world for him, and I do think he becomes a little more uninhibited when he’s around you. If people watch the two of you together, his lovesickness is pretty obvious to anyone who knows him. Even if they speak to just him, they might notice slight changes, like the fact that he talks about you a lot and always finds a way to bring you into the conversation. He’s careful though, and would never reveal the depths of his affection for you to someone who might you it against him or hurt you to get back at him. In terms of expressing feelings, as I mentioned above, I get the sense that he’s one for gestures that demonstrate his feelings. He gets nervous and stumbles over his words more than usual when he tries to verbalize things to you, and that’s an unusual and uncomfortable experience for him at first. The longer you’re together though, the better he gets at it.

P DA - Are they upfront about their relationship? Do they brag about their s/o in front of others? Or are they rather shy to kiss etc. when others are watching?

Because your betrothal and marriage are pretty much public knowledge, Gwayne definitely feels comfortable being upfront about the relationship. And oh he totally brags. He’s very proud to call you his spouse and is not afraid to make sure everyone knows about it. Based on societal and cultural expectations, I don’t think there would be a lot of open PDA (like hugs, kisses on the lips, etc.). But hand kisses?????????? All the fucking time babeyyyyyyy!!!!!!!! So many kisses on the knuckles wherever and whenever – it’s his favorite little gesture of affection

Q uirk - Some random ability they have that’s beneficial in a relationship.

Mans is a killer shit talker. We know this. He can and will throw shade with the best of them. He wants to know all the drama in your friend circle and will happily judge everyone with you for hours. That one “friend” of yours who turned out to be wildly toxic and conniving? Well he never liked them anyway and he’s got a bulletpointed list of reasons why. You start a conversation with “can I be mean for a moment?” or “you know I love this person, but…” and he is SAT. He’s always on your side and ready to talk absolute shit about anyone who caused you even a minor inconvenience. 

R omance - How romantic are they? What would they do to make their s/o happy? Cliché or rather creative?

At the end of the day, he’s something of a hopeless romantic and would do whatever he could to make you happy. There are a lot of times when the cultural and societal realities of the world he lives in prevent him from doing everything he might want, but if it came down to it, he would do almost anything for you. A lot of his romantic gestures are a little cliché, but in the best, most endearing way possible. As he gets to know you though, and as your relationship matures, he’ll probably get a little more creative and do things that are more specific to the two of you.

S upport - Are they helping their s/o achieve their goals? Do they believe in them?

Believes in you and supports you 100000% no question. Again though, I think this impulse can be a bit hampered by the social structures in which he lives. He’ll do whatever he can to help you achieve your goals, but there are limits based on birth, status, etc. that you are both cognizant of and which might influence what those goals look like and how far either of you would go to achieve them.

T hrill - Do they need to try out new things to spice up your relationship? Or do they prefer a certain routine?

We’re talking about Ser “I’d rather stay at a comfy inn than camp out” Gwayne Hightower here – I think he appreciates a level of routine and comfort. There’s so much in his world that is chaotic and out of his control that I think he would really relish having that consistency and stability in his relationship. Not that he would never try anything new – especially if you asked him to – I just think his natural inclination would be to have a comforting routine that works for both of you.

U nderstanding - How well do they know their partner? Are they empathetic?

Considering he picked up on Alicent and Criston’s weird vibes in like 5 seconds, I’d say he’s pretty good at reading people. He definitely makes an effort to get to know you, and can confidently say that he knows you very well at this point. Especially since you’re someone he cares about and spends a lot of time with, he’s quite good at reading your moods and guessing how you’re feeling.

V alue - How important is the relationship to them? What is its worth in comparison to other things in their life?

Very important. Again though, there are cultural expectations placed on both of you that may necessitate you and Gwayne placing your relationship further down your list of priorities than you normally would choose to. If it were completely up to him though, his relationship with you would be right up there at the top with his loyalty to his house and his family.

W ild Card - A random fluff headcanon

I talked about this much more extensively in this fic, but the necklace you gave him? He. Does. Not. Take. It. Off. EVER. It’s his little piece of you that he gets to carry everywhere, and he could never ever bear to part with it.

X OXO - Are they very affectionate? Do they love to kiss and cuddle?

In private, abso-fucking-lutely! As I mentioned in the PDA section, he’s more retrained in public, but still likes to demonstrate his affection for you via hand kisses. In private though, he loves to cuddle. And honestly, he doesn’t really care where or in what position – curled up in bed, sprawled on a couch, his head in your lap, you tucked against his chest – he just likes to be touching you and knowing that you’re right there next to him, that you’re safe, and that you love him.

Y earning - How do they cope when they’re missing their partner?

It’s a reality he has to face more than he would like, given the exterior expectations placed on him. If he had his way, he would live quietly with you at his family’s property near Oldtown forever. When he has to leave though, he always asks for your favor to take with him, regardless of how long you’ve been together or how many times you’ve bestowed it. As mentioned above, he also always wears the necklace you gave him. Definitely a top tier professional yearner though – he misses you and thinks of you the whole time he’s gone.

Z eal - Are they willing to go to great lengths for the relationship? If so, what kind of?

This answer will be pretty similar to the answer for “V” – yes he is, but he also has to be cognizant of outside pressures that might cause him to act in ways that don’t always align with his personal inclinations. He would both die and kill for you though, not that you’re asking him to do either. In fact, you’re usually telling him not to do either of those things.

[xxsabitoxx]

How to make the Pillars blush

All 18+ Pillars x Gender Unspecified Reader

Warnings: suggestive content, nothing super crazy

A/N: just some quick Headcanons cause the idea came to mind lol. I gotta really zone in on one or two of my WIPs rather than post unplanned content but…oh well here we are.

Tomioka Giyu

Show genuine interest in what he has to say

Don't break eye contact with him

Smile at him, depending on the context, will get his cheeks rosy

Brush your hand along his thigh

Make him his favorite meal and tell him you want to see him try it

Get really close to him to whisper something

Look at him through your lashes

Compliment him out of the blue

Brush his hair for him

Suck on his neck with the intent of leaving a mark

Kocho Shinobu

Bring her a meal while she works

Make it so she has to look up to talk to you

Hold her hand

Compliment her appearance or her personality

Kiss her cheek when others are around

Grope her breasts while she tries to sleep

When you look at her with lidded eyes, even if you're just tired. Her mind likes to wander

Jokingly asking her for a 'check up' or a 'physical exam'

Massage her thighs, can be with more intent or could just be from habit while sitting beside her

Say "I Love You" because she struggles to say it herself sometimes, often opting for different phrases

Rengoku Kyojuro

Tell him he's handsome

Sit with him until he's done eating

Make him his favorite meal

Make a dirty joke while in public

Feel his muscles / clinging to his arms

Move closer to him to feel safer if you're in a bad situation

Whisper in his ear about the things you want him to do to you / the things you want to do to him

Place your head on his chest while you sleep

Offer to do his hair for him, getting on your tip-toes to see better even though he offered to sit

Tell him how much you love and adore him

Uzui Tengen

Is everything a good answer? You wouldn't believe the number of things that make this 6'6 man blush

Hold his hand so he can see and feel the size difference

Offer to do his makeup, getting really close to do it

Rest your head against his shoulder

Kiss his jaw, neck, and chest

Wear his clothing

Watch him work out, don't hide the fact that you just want to see his sweaty, toned skin

Ask to bathe with him and offer to clean him

Straddle his waist while he's sitting or laying in bed, place your hands on his chest and feel his heart pick up in pace

Play with his hair, twirl it around your fingers, tug on it

Kanroji Mitsuri

Literally just exist

Tell her she's gorgeous

Eat with her, pay for her meal

Give her gifts that are meaningful

Cuddle her, be the big spoon and don't be shy to let her try being the big spoon once in a while

Bathe with her, wash her hair for her, massage her shoulders, her back, her scalp

Tell her the things you want to do to her, tell her how badly you want to do them

Kiss her first, take the lead and don't be afraid to be a bit rough, using tongue will turn her into putty in your hands

Tell her you want her to leave a mark on you, that you want everyone to know who you're with

Say I love you, hold eye contact while you say it

Iguro Obanai

Thank him, be patient with him

Show no fear of / acknowledging Kaburamaru

Write to him often

Tell him he doesn’t have to take off his bandages if he doesn’t want to. He appreciates your understanding

Kiss his scars, he’s hesitant at first but he finds it makes him relax

Whisper to him, lips close to his ear, body pressed to his shoulder / arm

Run your hands along his sides, hold his hips, rub circles there with your thumb

Hold his hand while at the pillar meeting, hell, try and climb the tree and sit there with him

Kiss him over his bandages

Tell him you want to give him head, he’s a sucker for it

Shinazugawa Sanemi

Match his energy, giving him his attitude right back will have his cheeks turning red

Make dirty jokes / comments in front of others “you wanna fuck me so bad, huh?” — turn his attitude against him

Compliment his scars and his muscles

Fuss over him if he’s injured, be persistent even if he pushes away

Kiss his face scars, kiss his hand scars

Run your hand over his exposed uniform, act like you’re doing it absentmindedly 

Wear his clothing to bed / as little clothing as possible

Look him in the eye and tell him you love him, don’t look away until he says it back

Flash him some puppy eyes, pout your lip a bit, it’s impossible for him to say no when you do that

As for his opinion on what you should wear, model it for him after.

Himejima Gyomei

Hold his hand, the size difference has him melting

Buy him small gifts, tell him it’s because they remind you of him (he’ll always cherish them)

Kiss his forehead, he’s quite tall so it’s an accomplishment if you manage to do it (usually you’ll catch him by surprise while he’s sitting)

Hug his arm when you’re sitting side by side or laying in bed. Even standing next to him, keeping him close makes him blush

Wipe his tears for him, it’s a gentle act that honestly makes him cry more but you’ll notice his cheeks have turned a shade of pink

Take care of him, being the strongest is hard work

Lay your head… or even your full body… on top of him to go to bed

Kiss his nose, it kills him every time

Compliment him, like as often as possible

Tell him how much you adore his thighs… those things could crush a bolder never mind your head

[flwrkid14]

Batfam Goes to See Hamilton (Thanks to Jason Todd)

note: based on the fact that i saw hamilton on broadway today!

So, Jason somehow managed to drag the entire Batfam to see Hamilton—because yes, Red Hood is a theater nerd, and apparently, none of them can say no when he’s excited about something. Here’s how it went down:

Jason Todd: Living for it. Jason knows all the lyrics by heart and is practically singing under his breath the whole time. He’s vibing hard to every song, mouthing along to My Shot like he’s in the show. You’d think he was a one-man standing ovation from the way he keeps reacting to every scene. He also goes full nerd mode explaining all the historical inaccuracies and why they don’t matter because the storytelling is incredible.

Bruce Wayne: Very confused, but engaged. He’s trying to get into it, but you can see the gears turning in his head, over-analyzing every political angle and historical context. He does appreciate the themes of legacy, sacrifice, and honor (classic Bruce). He might’ve even shed a few tears during It’s Quiet Uptown, but he’ll deny it forever.

Dick Grayson: Having the time of his life. Dick is the one clapping the loudest, laughing at all the jokes, and crying during the emotional songs. He’s completely caught up in the performance, and by the time The Room Where It Happens comes on, he’s all but bouncing in his seat. He also loves the choreography and probably made a mental note to learn the dances later.

Tim Drake: Secretly loving it but pretending to be indifferent. Tim walked in like he was only going to humor Jason, but by the end of Act 1, he’s fully invested. He tries to keep a straight face, but you can catch him mouthing the words to Wait for It and tapping his fingers during The Room Where It Happens. He’s obsessed with the way the show mixes history, strategy, and storytelling, and he’s definitely taking mental notes on things to google later for a deep dive into historical rabbit holes. After the show, he’s already re-watching bootleg clips on YouTube, but if anyone asks, he’ll just say, “It was fine.”

Damian Wayne: Not impressed. Damian doesn’t see the appeal. He’s sitting there with his arms crossed, giving side-eye to everyone clapping or singing along. “I could’ve done better,” he mutters after Guns and Ships, but you catch him tapping his foot during Yorktown, and he seems unusually focused during the duel scenes. Maybe it’s growing on him… but he’ll never admit it.

Stephanie Brown: Living her best life. Steph is totally into it. She’s laughing at all the jokes, especially King George’s bits, and probably even got Bruce to crack a smile. She’s belting out Helpless and Satisfied in her seat and whispering excitedly to Cass about how they should come back for the next performance. She’s already planning a Hamilton-themed karaoke night after.

Cassandra Cain: Loving the energy. Cass isn’t much for words, but she’s totally feeling the performance. The choreography and intensity of the actors keep her fully engaged. She’s watching every movement with laser focus, and you can see her appreciating the way the actors tell the story through body language. She’s not super vocal about it, but afterward, she signs to Jason that it was “powerful.”

Duke Thomas: Totally into the music. Duke is all about the beats and rhythm. He’s vibing in his seat, really feeling the music and lyrics. You catch him nodding along during Wait for It and The Room Where It Happens, and he’s probably already added the soundtrack to his Spotify. He’s impressed by the storytelling through music and keeps shooting Jason looks like, “Okay, you were right—this is awesome.”

At the end of the show, Jason’s the first to stand up, clapping like his life depends on it, and despite the varied reactions, everyone else follows suit.

[skyeslittlecorner]

Asmodeus brainrot

I'm looking forward to Asmo more and more, and even though I know what he looks like in Love Unholic, I can't wait for him to appear where he belongs.

Phenix's chats

Asmo you monster, how dare you wear clothes, you should take them off immediately! *sets the camera*

Btw. Phenix. Calm down. He just wears a sheet. And he looks better in it than anyone in designer clothes.

Jokes aside for a moment. Avisos and Abaddon seems to be the safest places in Hell (in the context of an angelic invasion, of course). Avisos doesn't need angels to be in constant chaos, and Abaddon doesn't even need devils. Their king is enough.

In fact, we know from the comics that angels are actually afraid of Asmodeus' devils. So what about him himself? It's a theory, but Asmo may be the most powerful among the seven sins. If his mere presence has this effect on others, he doesn't even need to bother picking up a weapon. Everyone around will go crazy. Just approach and stab. Death. The end.

Offtop: in the context of a unit, it reminds me of Genshin and wondering how powerful the archon of Natlan will be since Bennet is a god himself. After seeing how powerful Ronove is, it can be a similar case.

Ronove's chats

This may refer to Love Unholic, but I haven't played it, so I don't know. That in itself is interesting, and the most interesting part is the last two sentences:

So far, the nobles were either delighted that we were choosing their kings (usually) or wanted to cause mischief (like Foras playfully suggesting that we should meet without telling Leviathan), I also saw Satan warning us about Beel (but knowing him, it's probably out of jealousy).

This seems like a sincere warning. We are warned by the devil who is fascinated by amputations, even if it's just a statement of fact rather than a suggestion that we should run away. Asmo, are you really gonna make a salad from our brain? Go on, I'm in for it-

Loading comics

It seems that Asmo's energy depends on what he does. And Phenix is like a meter. The better the king's time, the worse it will be with this boy. Interestingly, Dantalian doesn't look like his aura affects him that much.

Dantalian's chats

We reach my favorite point of the program. No more mystical powerful king, welcome to an overwhelmed dad with three obnoxious children.

You know Dantalian. Asmo would had to grab him by the collar like a puppy, drag him behind him and put him in a cage to stop him. All his smugness evaporated and turned into irritation.

AND THIS.

Ronove's artifact

If Asmo wants to teach someone dignity, it must be a terrible case. I see how all methods failed and he just shoved it in his Ronove's mouth and gave up completly. He sounds so done here lmao

In summary - it looks like Asmo will be a powerful, terrifying demon whose mere presence will drill a hole in your brain.

Then, his boys show up. And this intimidating demon turns into a tired father.

I can see him gossiping with Bael, two of the most chaotic countries are ruled by single parents lol

Can't wait.

PS. If you like this kind of analysis here is another part:

[itsclydebitches]

Hazbin Hotel: Let's Talk About Cursing!

Trigger warning for lots of cursing in this post (obviously) and discussion of canon abuse scenes

As I delve further into the Hazbin Hotel fandom, I’ve inevitably come across a variety of people who dislike the show for an equal variety of reasons. One criticism I’ve seen with some consistency is in regards to the cursing and yeah, I get it. That’s not going to be everyone’s cup of tea. However, the repeated claim that the cursing is only there as a—failed—attempt at bad, lazy humor got me thinking about why I personally liked the cursing, and why I think it serves a greater purpose in the show.

Now yes, some of the cursing does function as an arguably simplistic joke. The most common setup I’ve noticed is one that leans into a contrast in tone/personalities. We see this a lot with the polite, comparatively timid Charlie as she navigates her distinctly vulgar domain.

Charlie: “Hi, mister!” Demon: “Go fuck yourself!”

The entirety of “Happy Day in Hell” plays with this contrast, setting up Charlie’s slightly skewed, but significantly optimistic perspective of Hell. We are shown again and again how her lyrics are contradicted or twisted into something less innocent through the visuals: a “revealing” street where it’s “hard not to stare” has BDSM going on in a nearby window, Charlie will “open the door” for her people and then literally does so... for a guy who’s already dead. (Or, you know, temporarily out of commission until he heals, or whatever demons do when they’re ‘killed’ by things other than angelic steel.) The entire point here is to contrast the happy, skipping girl claiming that there’s a “warm, fuzzy feeling” in the air with the actual environment of unchecked fires and decaying limbs. And yes, that can be amusing. Not necessarily for everyone as humor is highly subjective and dependent on context, but distilling this contrast down to the shock of a polite greeting getting a “Go fuck yourself!” in response is a kind of entertainment. Especially when Charlie’s reaction adds another layer: for me that’s a very funny—and currently relatable—expression.

We can potentially make the case that this humor format overstays its welcome, but I personally think the show does a good job of keeping Charlie’s cursing both simple and comparatively rare, so that when she is put into these contrast situations the humor lands better. The best example I can think of in the latter half of the show is Susan. There we get the whiplash of polite, trying-to-get-these-people-to-like-her Charlie reaching a breaking point to become “FUCK YOU, YOU OLD BITCH” Charlie. It’s a moment that builds off of the earlier surprise of the courteous Alastor calling someone an “Ornery old bitch”—while Rosie is trying (and failing) to find a nicer way to phrase this.

However, as stated above I think the cursing serves more of a purpose than to just be funny for (some) viewers. Beyond those who simply find cursing distasteful, I’ve seen a fair bit of, “This is so stupid. No one even talks like that!” going around.

Except... I do? I talk like that.

See, I like cursing. I was born to former hippie parents and grew up playing MMOs, so cursing was something I became pretty acclimated to. Personally, I’m glad I was because I’m fascinated by language and cursing—for better or worse—is an integral way that many people communicate. I was taught to see cursing not as the Bad Forbidden Thing You Must Never Ever Do, but rather as just another form of expression, something to be used in moderation and under specific circumstances. Once I became an adult I already understood how I wanted to curse and when it was appropriate to do so. People at work are often shocked when I tell them I curse a lot because no, of course I’m not doing that at my job. That isn't considered professional in this space. Among my friends though?

We can sound a lot like the Hazbin crew.

Undoubtedly the most common curse in the show is “fuck” and its variations, which very much tracks with my personal experience among other people who curse. In fact, it’s so ubiquitous that it barely counts as a curse at all in some groups. It’s more of an easy, accepted way to add emphasis. Vaggie’s “What the fuck was that?” about Alastor’s commercial is a perfect example. She’s pissed and simply saying “What was that?” doesn’t carry the same weight, no matter how angry she may sound when she says it. Vox’s long “Fuuuuuuuck” at the end of “Stayed Gone” conveys an emotion you just can’t capture any other way. No dialogue at all would create a fundamentally different experience of Vox’s feelings and another non-cursing response is just gonna hit different. Not necessarily bad, just different.

“I don’t want to go to the party!” “I don’t want to go to the freaking party!” “I don’t want to go to the fucking party!”

The above represents three distinct characters to me and I think Hazbin Hotel gets that. Cursing isn’t thrown around randomly because something something cursing supposedly sells; it’s all linguistically logical. Characters curse when something surprising or bad happens, or when something unexpectedly good happens, when they’re angry, trying to be sexy, or they want to add that emphasis. That’s a lot of different situations where cursing can be useful and when you use “fuck” in your daily life a lot you become pretty desensitized to it. As said, for many it’s barely a curse at all. Which means that when you really want to curse you’ve got to up the ante. It doesn’t surprise me one bit that the two uses of “cunt” I can recall—a word that is generally considered far worse than “fuck” and makes a lot of people understandably uncomfortable—is used by two of the worst characters in moments that are meant to horrify the viewer:

Adam: “Can’t wait a whole year to slaughter those little cunts / I know it’s just been a week, but we’ll be back in six months!” Valentino: “When I say you’d better get that fucking cunt out of my studio, you say...?”

This horror is especially emphasized in Valentino’s scene. The creators know this word is coming up and deliberately build towards it. Angel is currently being abused and has been reminded that Valentino “owns” him. The above question is a part of a trio that Valentino asks (a standard structure in writing), wherein the third option is the outlier/most shocking of the three. The animation leans into that shock, with the music building and Valentino grabbing Angel to pull him close right on the word “cunt.” Perez even puts emphasis there because he knows that this is a significant word that will change our understanding of Valentino.

Despite having hit Angel multiple times and taunting him with the contract, this is the moment Valentino stops playing the ‘nice’ employer. This is the real him. No more fake compliments and endearments aimed at Charlie, no more fake comfort/intimacy aimed at Angel. That “cunt” conveys a hell of a lot about how Valentino really sees them and when you have a cast of characters who are already cursing on the regular, it takes a word on that level to do that kind of work. If Valentino had said, “get that fucking bitch out of my studio” it wouldn’t have had nearly the same impact because he’s the kind of guy who uses "bitch" even when playing ‘nice.’

Adam’s line from “Hell is Forever” does very similar work. The scene needs a word to align with the horrific reveal that another extermination is just six months away, that conveys Adam’s deep disgust for Charlie’s people, and that still catches the viewer’s attention even though he’s the character (I believe) who curses the most. Here the music drops and Adam is a little closer to speaking than singing; there's this shift because, like with Valentino, our perception of him is shifting. This isn’t just some egotistical idiot who wants to be called “Dick Master,” he’s the leader of an army coming to gleefully kill them. Framing a whole world of people—people Charlie loves—as “cunts” while treating their murder as a holiday that can’t come soon enough creates an, 'Oh shit. This guy is actually a threat' understanding that you can’t quite get with anything else.

On a smaller scale, cursing does other character work throughout the whole show. I watched a number of cursing compilation vids for this meta (that was a trip lol) and again, cursing is not thrown in randomly. Each character has a unique way of cursing that aligns with their personality and motivations:

As said, Adam curses the most in the show which helps sell his truly over-the-top, irreverent personality. Linguistically, the amount he curses also allows for some fun grammatical play. Lines like, “Fucking love putting my name on shit, shit’s the best!” help convey the versatility of cursing.

Also as said, Charlie curses a fair bit but she’s comparatively polite and her cursing tends to be a result of genuinely big emotions—like saying “Crap” when she’s shocked and falls, or “Shit!” when Adam locks her out of the room—rather than sprinkled into her conversations as a modifier. That leaves space to create those moments of amused surprise when Charlie really let’s loose.

Sr Pentious curses even less than Charlie which fits his secretly gooey center. He talks a big game at the start of the show, but he’s actually quite bad at being, well, bad (especially the Amazon version compared to pilot!Pentious). His idea of getting one over on Alastor is ripping a bit of his coat. He loves his Egg Bois and “doesn’t want to live” without them. He has no desire to go into battle without minions/a big machine to hide behind and, of course, he’s the first to be redeemed. He's too much of a secret sweetheart to curse a lot.

Interestingly, Niffty doesn’t seem to curse at all. At least, not enough for me to think of examples off the top of my head. Right now I’m inclined to read that as an extension of her lived experiences/design—the cute 1950’s housewife archetype who is obsessed with keeping things clean doesn’t [gasp!] curse—as well as a way to maintain her legitimate creep factor. As said, cursing is common among the hotel residents and is a way for them to linguistically fit in. Niffty, however, is positioned more as an outsider (despite how much they all obviously love her): she’s actually scary in a way most demons aren’t and despite how weird this whole world is, she stands out as someone no one else can make sense of (even Alastor). If cursing is normal, Niffty is a character who is decidedly positioned as not normal.

Angel curses a fair bit, though his irreverence is conveyed more through innuendos. Angel is great at verbally twisting others’ words (especially Husk’s) to give himself a conversational advantage:

Husk: “Go fuck yourself” Angel: “Only if you watch me~”

Husk: “You’ve come—” Angel: [very loud orgasm noise] Husk: “...to the right place.”

Meanwhile, Husk uses “fuck” plenty, but he’s also one of the few characters who use “bullshit" too. I wouldn’t say there’s anything particularly revealing about that choice, but just giving him a go-to curse that’s otherwise used infrequently helps make his character distinct in a cast of other cursing characters.

Vaggie occasionally curses in Spanish, showing us her heritage if she used to be human, or a distinct knowledge/verbal preference if she’s always been an angel.

Heaven, as the ‘good’ side, doesn’t curse as a general rule, which leaves room for cursing to do more of that silent character work. We’re reminded of the stuffy, overly critical beings she’s dealing with when Charlie receives the combined judgement of the court for saying, “Fuck yeah!” In contrast, we understand just how shocked St. Peter is to see a Morningstar when he lets out an unintentional “Fuck!” The angry vindication of Charlie’s “That’s what the fuck I’ve been saying!” lands harder after multiple scenes of very little cursing, and Lute’s “Some crack-whore who fucked up already? / He blew his shot like the cocks in his mouth—” helps set her apart as an exorcist + Adam's second in command: her shocking violence comes through in her word choice too; words that supposedly don't belong in Heaven.

In what’s arguably the funniest line in the whole show, Lucifer undermines his dramatic standoff with Adam by going, “You mess with my daughter and now I’m going to fuck you.” Beyond just cutting the tension, that fits his bumbling, oblivious personality perfectly. Lucifer is crazy powerful and can absolutely wreck Adam. He also has none of the classy intimidation that, say, Alastor displays when he tries to convey that. This is a depressed himbo who makes ducks in his free time and settles on, “Hey, bitch!” when greeting his estranged daughter. Of course he’s going to accidentally turn a threat into a promise of sex.

Which finally brings me to Alastor, someone whose cursing is already understood well by the fandom. He’s characterized as manipulatively courteous, using manners to both hide his true nature and draw attention to his power—’You’re so beneath me I’ll just calmly sip my coffee and politely ask who you are, despite the fact that we've fought multiple times.’ This is a guy who calls people “My dear” and unironically insults them with the phrase “wacky nonsense.” So when he curses you can BET it’s gonna have an impact. It sure did for me. I had to pause the episode after Alastor’s first “Fuck you” because it was so shocking to hear that language from him. And that’s the point! The scene wants that reaction from the audience. The "Fuck you"s visceral anger contrasting the fake laughs he and Lucifer have been giving, the quick-fire exchange that’s suddenly cut short by Alastor’s choice of a direct insult, the fact that he’s officially dropping the polite veneer they’ve both been indulging in and raising the stakes before Charlie intervenes, the loss of the radio filter that otherwise demonstrates his control over a situation... all of it screams, ‘THIS IS AN IMPORTANT CHARACTER MOMENT.’

"Fuck you” reveals that, for the first time in the show, Alastor is legitimately threatened by someone. Which makes sense given that, you know, Lucifer is the King of Hell. Cursing for Alastor isn’t normal, so when he does curse it’s going to reveal something about a guy who otherwise is obsessed with being unknowable. Having the King of Hell dismiss him is actually infuriating in a way Sir Pentious’ threats could never be and the exchange kicks off a rivalry that rattles Alastor in ways Vox’s never has. (Side note: is it any wonder people ship them? Character A making control freak Character B feel vulnerable is classic!) It’s no surprise to me than that the one other true curse we get from Alastor is, “I’m about to end your fucking life,” delivered to Adam who, like Lucifer, poses a legitimate threat and does end up beating him. I say “true” curse because calling Susan a “bitch” does similar work for him, but the takeaway is humorous rather than dramatic. It’s funny that the only people who can piss Alastor off enough to curse are the First Man/a powerful exorcist angel threatening his life, the literal King of Hell... and Susan.

So there’s a lot going on here, more than what many viewers might assume if they approach the show as just “stupid,” needlessly vulgar entertainment. As shown above, I don’t think the cursing is needless, especially given that, well... they’re in Hell. They’re sinners, supposedly the worst that humanity has to offer, so of course they're going to curse a lot. Does cursing mean you’re a bad person? No. Can you craft a hellish world that doesn't rely on cursing to convey a group's immoral nature? Sure.

Does it make sense that a writer would equate a sinful, irreverent cast with linguistic rebellion and would want to convey a certain vibe that, frankly, you just can’t get without dropping an F bomb?

Yeah, I think so. No one has to like that kind of creative decision, but it’s worth acknowledging it as a deliberate choice.

That’s all! Thanks for reading this fucking long post ✌️

[bakuhatsufallinlove]

Who Wants To Talk About Japanese Orthography In Manga???

Me, it's me, I do, and I have been chomping at the bit to get the chance to.

Orthography refers to the conventions of written language to represent sounds. That may bring to mind the idea of rigid grammar rules or spelling standardization, but in a linguistic sense, orthography simply describes observable trends across language use. This isn't about authority--I am not going to talk about what schools teach or say people should write one way or another. This is about examining how real people use written language creatively to convey different things in popular media.

This is a huge topic, so I'm only going to use examples from MHA to highlight Horikoshi's style.

First, let's get a run-down of the main parts of written Japanese and how they tend to be used.

We've got kanji and kana; kanji are logograms, while kana are syllabaries. Kana refers to both hiragana and katakana collectively, but we will delineate the two from here on.

The Wikipedia page for kanji, describing this more succinctly than I'm about to.

For clarity, I'm gonna color-code each one.

Let's take a quick look at all three in action.

Chapter 65

By virtue of being the syllabary that grammar particles are written in, hiragana can get away with a lot that kanji and katakana can't.

You can write simple sentences in hiragana alone, like so:

The sentence is perfectly comprehensible like this, but it reads as casual or perhaps a bit immature, like the person is either leaving out kanji for speed or simplicity (like online) or they aren't confident using kanji. Although, the word hito (person) is extremely common and its kanji is simple, so this would probably look more natural:

But there are also kanji for the word kawaii, so you could also write it this way:

On the other hand, writing the whole thing in katakana looks weird as fuck:

bECAuSE iT kINDA reADS LIKE THis, or maybe L I K E T H I S

It seems almost alien, overemphasizing the phonetic sound of the words, implying there's something notable or unusual about them.

But what if you write it like this?

Both ways use katakana to put flavor on a specific word. The first puts it on person, which could be used in a situation where someone hasn't been named yet, but the speaker tonally emphasizes your knowledge of them--like "oh, you know who."

The second emphasizes cute, which could read as sexually suggestive, teasing/joking, or even a threatening tone, depending on the context. "Real cute, ain't they?"

Basically, the connecting grammar bits need to be in hiragana, but nouns, verbs, and adjectives can typically be written in any of the three systems. That introduces choice into the matter, and these choices may have some cultural connotations.

This is a subtlety in written Japanese that manga loves to take advantage of. Orthography contributes a lot to characterization and tone, so individual creators develop little quirks as part of their own writing style.

Now let's finally take a gander at some of Horikoshi's!

Kanji instead of hiragana for semantic emphasis

Chapter 48

Best Jeanist could have used only hiragana for the word "good" (いい, ii), which is a very common way to write it. But he's not just commenting that they are nice kids, he's talking about them as "goodie two-shoes" and even puts brackets around the idea. The kanji emphasizes the cultural idea of a Good Child™, a well-behaved, morally upright, obedient young person.

Kanji instead of hiragana denoting a serious or severe tone

Chapter 36

Katsuki's "you" pronoun omae being written with kanji comes across as markedly serious, especially compared to how his dialogue is normally written. This is actually the only time Katsuki says omae and it is written with kanji--all the rest are in hiragana, which tends to read as more casual.

Hiragana instead of kanji denoting a gentle tone or youthful/childlike language

Chapters 129 and 183

Katsuki and his omae show us how kanji use can be seen as more mature and serious; Eri's dialogue does the opposite of this by using hiragana when it could use kanji, emphasizing her youth and innocence.

Katakana instead of hiragana or kanji for emphasis or slang

Chapters 209, 207, and 2

As I detailed above, one of katakana's most common uses is similar to italics or all-caps.

But you also tend to see slang written with it, and depending on the slang, the word being in katakana can immediately clarify it from other, perhaps more standard meanings. In Jirou's case, her personal pronoun uchi can mean a couple other things, so it being written in katakana clarifies her usage. It could arguably also imply she is taking a bit of an argumentative tone--Katsuki's slang is typically written in katakana for both of these reasons!

Katakana denoting regional dialect/accent, nonstandard pronunciation/muddled speech, or confused articulation

Chapters 102, 208, 394, and 2

Ochako gets flustered and defaults to her regional Kansai dialect. Instead of "chigau wa" (Tokyo dialect), she says "chau wa" repeatedly.

Katsuki and Toga both drop the w- sound from a word. Katsuki says "ore a" instead of "ore wa," while Toga says the word "kawaiku" as "ka'aiku" and "kawaii" as "ka'aii." Notice how the katakana which represents the vocal omission/hiccup is actually smaller than the others? That's also a little stylistic detail for communicating this kind of nonstandard speech.

Izuku repeats All Might's words, chikara wo, in a confused daze because he isn't following All Might's point. By removing the kanji especially, this kind of katakana emphasizes him sounding the words out without recognizing the underlying meaning.

Basically, Japanese has some excellent ~vibes-based~ orthography because of how the language is structured!

Of course, you find this kind of thing in English as well--especially in the age of the internet, where people note that "how dare u" reads as tonally distinct from "how dare you." As you develop language fluency, you tend to pick up these things subconsciously more than anything, but it's one of my favorite things to analyze and compare.

These are just a few examples and my own interpretations of them. I'm sure there are many more uses and flavor-nuance I'm not picking up on. Since any given choice can be read a few different ways, context is very important. My examples aren't definitive proof of anything, but it can be fun to keep these kinds of details in mind while reading.

Shueisha and Shonen Jump surely have in-house standards for text, and mangaka must operate within that range. That said, I have indeed seen every one of these examples in other manga as well.

And on the independent side of things, doujinshi and online manga are basically the wild frickin' west--I have seen tons of totally crazy, highly creative ways to take advantage of the unique flexibility found in Japanese, but that's a post for another day.

I will probably write more about this kind of thing in the future when I can pinpoint some more observations, but I hope you all enjoyed the ride. <3

[martialartslover7]

Why I think Kishimoto isn't sexist, but just VERY tonedeaf and an idiot

Boy, will I have some venting to do today. I mean, at this point, it's not a secret, that Kishimoto has consistently stated that "he can't write women", to save his life. And to this day, for as long as I was a fan of the series, I am going to be absolutely real: This statement is so full of shit. Why? Simple. And allow me to express it in very big capital letters, so that even the last giant mental invalid can understand:

WOMEN ARE HUMAN-BEINGS WITH BREASTS AND A V BETWEEN THEIR LEGS. WHAT TYPE OF "NUANCES" IS THIS GUY TALKING ABOUT? THERE IS NOTHING "COMPLICATED" ABOUT THEM. WHAT NONSENSE IS THIS?

Like, this entire statement is bullshit for a completely reason altogether: Why even reduce his own point to the fact that the shinobi just so happen to be female? This just sounds like excuses on top of excuses, especially considering the competition like One Piece and Bleach, who all have badass, memorable and sometimes, quite well-written characters, that just so happen to be female.

Let's count up a few IPs that I am aware of, written or directed by males, that has some of the most badass, and most memorable females in all of media:

One Piece

Bleach

Soul Eater

Kill la Kill

Jujutsu Kaisen

Code Geass

Persona

Tekken

Street Fighter

SoulCalibur

Fire Emblem (not all of them, some of them, from what I have seen, can be insane jokes)

And so on, and so forth, the list goes on. And you know what all these IPs have in common, that make them stand out, compared to what Naruto does to its females?

THE FEMALES AREN'T GETTING BOGGED DOWN BY IRRITATING, REDUNDANT AND DOWNRIGHT OFFENSIVE TROPES, THAT FLAT-OUT RUIN THEIR POTENTIAL AND APPEAL AS STANDALONE CHARACTERS!

Like, allow me to list up all the tropes, that Kishimoto made use of, while writing the manga, or being involved in the process of writing / directing the anime, along with the movies.

1. Making the women overtly dependant on the male characters

This one, is not as egregious, but it's a good kickstarter. In the context of the world these characters operate in, to me, it does make sense to show that, like in the Edo period of Japan, women were always seen as second-class citizens, always needing to be tied to men somehow, otherwise they are "worthless". Considering the corrupt, militarized system that most of the girls work in, mostly operated by wrinkly, old farts, who enjoy playing god too much, it does remain understandable to me, that they would be hesistant to be 100% committed to the job, and just ask for normal lives...

...BUT...

...it does leave you asking: Why did they choose to be ninjas in the first place, then? To get smitten with the boys (not counting Hinata, by the way, because she was literally forced into this role)? Just applying as literal child soldiers in a war, that they didn't even start to begin with? And yes, I get it, kunoichis excel in areas that male shinobi struggle with, like silent reconnaisance, charming other men, or sometimes women, to tickle information out of them, being healers, but here is the thing: As the Naruto progressed as a story, this pattern kept repeating, every time a female character got introduced, it would fall back on the following checklist:

Is this woman a healer?

Is she obsessed with looking for a boyfriend / a husband?

Is she lacking in combat-based strength, to the point where she needs protection from either of the male characters?

Because, except for the healer bit, which is more of a specialized field, I just brought it up, because I felt it to be awfully noticeable how often the girls requested to be healers, as if they have to fit into such a mold, or they aren't capable as shinobi, the other two questions get repeatedly answered, for pretty much 98% of all female characters, especially by the end of Shippuden.

And don't get me wrong: This is NOT a negative, per se, that they desire a boyfriend, or someone to spend the rest of their days with, this is not what I am complaining about. In fact, a good chunk of ships in the series are hella cute, and I don't want them to go away. Because to an extent, the romance aspect feels genuine, especially between Naruto and Hinata, or Sasuke and Sakura (yeah, fight me on that, I will defend these two as a ship, until I die), or hell, especially Shikamaru and Temari, which are the GOLD standard, of what a good ship needs.

What I am complaining about though, is that, the series kind of uses this romance aspect as a shield, or excuse, to undermine the female characters, in the long run. Think about it, when was the last time when Sakura, in spite of all the grueling training she had to suffer through to become this strong in the first place, not wanting to be a hindrance to anyone, legitimately kicked ass, after killing Sasori? Not counting the war arc, because this arc is frankly, an inexcuseable mess, and Kishimoto should be ashamed of himself for making it suck this hard for how many asspulls this arc had. Nope, the moment Naruto goes berserk, and Sasuke just... appears... she is reduced to a whimpering mess, who can't stand on her own two feet, and has to be saved by someone. And this happens. ALL. THE. TIME. That's all that happens with her, sure, she heals countless ninjas during the war, but again, healing isn't the only specialty she got:

SHE IS A SHINOBI! SHINOBIS FIGHT! THEY DON'T JUST STAND AROUND LIKE IDIOTS, AND EXPOSING THEMSELVES TO ENEMY FIRE! GET! ON! WITH IT!

I swear, man, this just frustrates me beyond any reason, and the worst part, even someone as awesome as Hinata, who kicked so much ass in Part 1 (especially the filler arcs, don't get smart with me, I watched the anime, suck a small one on that), who had a whole, potential story arc hinted at with Neji, and the issues regarding their entire clan, was reduced to a simple Naruto #1 fangirl for the entire duration of Shippuden, not even the filler could salvage her in any way, and for someone like me, who relates to Hinata on a spiritual level, I find this just so damned pathetic. And whenever I watch The Last, all I could think about was this one coherent thought: You. Had. ONE JOB. Kishimoto. And you failed her. As a standalone character. Causing the entire movie to come off as if you were just shoehorning everything together, as if we only liked Hinata, because of the NaruHina ship. Well, newsflash, it couldn't be further from the truth. So, screw you, and the entire The Last movie.

Plus, I am sure I am speaking on everyone's behalf here: Anko Mitarashi and Tenten were done the MOST dirty by Kishimoto. Nuff' said.

On that note, that brings me to my next point:

2. The angry Karen housewife stereotype

I swear, this meme right here...

And Kushina's entire existence truly proves my point that, Kishimoto is really not doing himself any favors, whenever he says "I don't know how to write women". Oh, but then THIS is your answer? Is this how you see them all, the very second they get married and have kids?

So let me get this straight, the moment a woman, in the Naruto universe, gets married, has kids, and takes care of them, they become:

Aggressive, to the point of physically assaulting their own kids (Kushina definitely would have done so, let's not lie to ourselves, I love her, but this behavior of hers, combined with Sakura's general attitude towards Naruto, would have definitely made him suicidal after a while, if it weren't for the fact, he accepts it in his mom's case, because she doesn't know any better, considering her childhood)

Unpleasant to be around for their husbands (as if, we get guilt-tripped into thinking, the wives are the ones being selfish, wanting their lovers to be home with them, which, by the way, is a serious piece of shit way of thinking, because, they are married for a REASON, and not to stay apart all the time, THEY ARE FAMILY, at least, from how it gets painted as, in Boruto, from what I have seen so far)

Becoming total sociopaths, as if their genuine worries and concerns get painted as something so abnormal and "creepy"

...and this is how you see them all? THIS is your answer? Again, I know, we have ZERO evidence to prove that Kishimoto himself, is sexist in real life, it would be irresponsible of me to put that out there, because I just don't know the guy. I am just saying that, with how the housewives were all written thus far, and how, from Naruto's POV, he began having a fear of angry moms, calling them "scary", and how the females got seriously underrepresented in the course of the story...

...IT DOESN'T DO HIM ANY FAVORS.

I can't even believe I have to say this, because, newsflash, Kishimoto, and I will say it in caps: NOT ALL MOMS IN THE WORLD, ACT LIKE THIS!

They can get mad with us, they are fully in the right to whenever we do something stupid, no matter how old we get, because they will always view us as their babies that they cradled in their arms. But the problem here is: In Boruto, it gets painted as if the moms are the ones in the wrong here, just for being a tiny bit more concerned than others, because again, the world that they live in, is dangerous. And leaving the Otsu*redacted* aside, I can fully sympathize with them, so seeing someone like Boruto himself taking so many liberties being a spoiled, rotten brat, who never suffers serious repurcussions for his behavior (I know, he lost his headband for cheating, but for someone like him, who wished literal DEATH on his own father, just for him not being around enough, needed a way harsher punishment, you just don't say that your parents, dude, this doesn't take a genius to understand, especially since this is Naruto and Hinata we are talking about her), once again, it undermines the females, as if the kids ALWAYS "know better", and they "just suck, because moms are scary". Fuck off. Seriously. This is just disrespectful. No excuses. It shouldn't be written this way. Even more so, because the POV of the mothers gets never tackled, making this seem one-sided.

3. A few romances fall back on tropes, that disrespect not only the girls, but also the guys

OK, I will probably get some flack for saying this, but, regardless of the explainations in one of the Retsuden mangas, the InoSai ship, is perfectly encapsulating to me, how the romance in Naruto isn't without its flaws, and it mostly stems from how some of the characters just never get the privilege of gaining their own story sections about their own individual struggles as standalone characters.

I AM LOOKING RIGHT AT YOU, CHOJI AND KARUI! THEIR ROMANCE IS SO OUT OF LEFT FIELD, IT'S NOT EVEN WORTH JOKING ABOUT, EXCEPT, IT'S LITERALLY A JOKE, DUE TO THEIR NAMES BEING POLAR OPPOSITES TO ONE ANOTHER. HA. HA. HA.

Personally, to me, Sai is not that interesting of a character to me, I was never able to connect with him in any way, despite the importance he had in the story, alluding to the ROOT Anbu under Danzo's leadership.

But his "romance" with Ino, was seriously pushing it to me, not only because, it just regresses Ino's entire character, pushing her back into this mold that she is only interested in brooding, mentally ill edgelords like Sasuke, which paints her a shallow person, but it just paints Sai himself, as a stand-in for Sasuke, too, which undermines his own character, unintentionally. There are so many things wrong with their overall dynamic, I can't even put it properly into words.

And don't think, InoSai are the only exception to this rule. As much as it pains me to say this, NaruHina and SasuSaku are also affected by this, not as severe, but it's still pretty noticeable.

NaruHina

The fact that, with NaruHina, we needed an entire freaking movie, which, frankly, should have never happened, had they done a better job at utilizing Hinata as her own character, with Naruto present to help her out with her clan, and it all hinged on Naruto himself regressing as a character too, needing to be put in a fucking Genjutsu, just to see how he "truly felt" about Hinata... I am sorry, what is this? I mean, from a writing standpoint, this is just straight-up BAD. It's clichéd, it's painting Hinata as a damsel in distress, needing to be saved by Naruto, and Naruto himself being pardoned with "he is just dense", and overall, you can really tell, this is all just hamfisted into a single movie, because they needed to desperately convince us: Look, this is a thing. They are together now. Now play the emotional music, because that's all it needs.

Listen, I know Naruto never had a clear grasp on his own emotions, but the overall pay-off, to me, is just not there, no matter how hard I try. It just feels hollow, I don't feel happy with this. Because, for this to ship to work, they had to go through all these extra lengths to regress them both first, as individual characters, just so they can shut the lid on the whole thing. Made even worse by how this confession of Hinata during the Pain Invasion arc, was never brought up again to Naruto, until the freaking movie, and I still don't understand why. I know he didn't "ignore" her, but why does he fail to recognize Hinata's love confession, but the moment Sakura drops by to confess to him, too, he immediately calls it BS? Please. Make it make sense.

SasuSaku

Listen, nothing will stop me from loving these two as one, they deserve the peace amongst themselves, but the problem is, like InoSai, it falls back on the trope of, the girl bearing this mindset of "I can fix him", and while Sakura certainly did succeed... hear me out:

This is a purely universal thing now, this isn't just applying to SasuSaku. Otherwise, both ships have a solid foundation, ruined by shit writing. Nothing else to say.

That moment of Ino crying for Sasuke, really made me realize: Kishimoto really is clueless, not just about women, but men, too.

Because, again, for how often some of the girls bore this mindset of "I need me some brooding hunk of meat", essentially, desiring a man that knowingly treats them like crap, just so they can bear the delusion of "I can fix him", while downplaying and belittling the "uncool" guys like Choji, Rock Lee, or hell, even Naruto or Kiba, guys who, for the most part, have a solid grasp on their moral compass and their self-worth, denouncing their advances with "ew, no", is honestly disgusting to me. Like, come on, man, they aren't as cool as the edgelord teammates, but why downplay them so hard in the presence of the girls? Don't they deserve love too? Why belittle them for their eccentricities, it not only paints the girls in a bad light, but it straight up mocks the male "goofball" teammates for being the way they are. In short: NO ONE IS THE WINNER HERE.

Phew, OK, I hope, I made my point, loud and clear now. Because these points have been bothering me for a VERY long time now, and look, correct me if I am wrong. I am never 100% foolproof, so if I left out anything, feel free to correct me.

I needed to vent about this, because I felt so genuinely pissed off for how underpowered and underepresented the girls are, and how unkind and unforgiving the writing was to them, overall.

Peace.